[in.tangibile]

[in.tangibile] is an interactive sound art installation proposing a reflection on the materiality of sound, which, although often referred to as an object in the sonic arts context, remains nevertheless formless and elusive. Yet, it is a physical phenomenon that impacts—albeit usually imperceptibly—the surrounding environment. Is its supposed intangibility, thus, intrinsic to the sound event, or is it related to our perceptual limitations? By employing Umberto Eco’s open work concept, [in.tangibile] centralises the role of the audience in the process of artistic creation. According to Eco, an artwork is not an accomplished and unchangeable fact. Rather, it develops from the ecologies of interaction unfolding between the audience and the artefact provided by the artist. Such ecologies range from tangible (physical interaction) to conceptual (interpretation). [in.tangibile], through experimental interfaces recalling the tradition of graphic scores, aims to provide an experimental, tactile dimension to the sound phenomenon whilst elevating the audience as co-creators, centralising their role in the exploration of the artistic concept proposed and shaping the artistic and aesthetic experience.

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2025-03-14
DOI
https://doi.org/10.5281/zenodo.15027166
Primary Topic
Artistic and Creative Research
Type
article
Field-Weighted Citation Impact
0.00
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[in.tangibile]

Zenodo (CERN European Organization for Nuclear Research)
Artistic and Creative Research
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[in.tangibile]

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Abstract

[in.tangibile] is an interactive sound art installation proposing a reflection on the materiality of sound, which, although often referred to as an object in the sonic arts context, remains nevertheless formless and elusive. Yet, it is a physical phenomenon that impacts—albeit usually imperceptibly—the surrounding environment. Is its supposed intangibility, thus, intrinsic to the sound event, or is it related to our perceptual limitations? By employing Umberto Eco’s open work concept, [in.tangibile] centralises the role of the audience in the process of artistic creation. According to Eco, an artwork is not an accomplished and unchangeable fact. Rather, it develops from the ecologies of interaction unfolding between the audience and the artefact provided by the artist. Such ecologies range from tangible (physical interaction) to conceptual (interpretation). [in.tangibile], through experimental interfaces recalling the tradition of graphic scores, aims to provide an experimental, tactile dimension to the sound phenomenon whilst elevating the audience as co-creators, centralising their role in the exploration of the artistic concept proposed and shaping the artistic and aesthetic experience.

Zenodo (CERN European Organization for Nuclear Research)
Sustainable cities and communities
Openalex Percentile: Top 57%
Artistic and Creative Research
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[in.tangibile] · Zenodo (CERN European Organization for Nuclear Research) (2025) | TGRS Research Map | TGRS