THE MORAL AND ETHICAL ASPECT OF FEMALE IMAGES IN F. DOSTOEVSKY'S NOVELS

In the philosophical views of F. Dostoevsky's theme of mental suffering occupies a special place and is associated with the category of spiritual purification and gaining faith in oneself, in other people and the true purpose of life. In the novel "Humiliated and Insulted" Natasha Ihmeneva experiences the torments of an internal mental struggle, but in the end, in the spirit of English manor novels, she overcomes her own delusions and selfishness and acquires a genuine sense of her own worthiness. In the novel "Humiliated and Insulted" F. Dostoevsky poses an important problem of selfishness and the right to personal happiness. This problem cannot be separated from the question of personal responsibility of everyone for their actions, because the well-being and well-being of some is often bought at the expense of the mental pain and suffering of other people. The two-vector character distinguishes the portrayal of another heroine of the novel by F. Dostoevsky's "Humiliated and insulted" Nelly. The Russian writer presents a psychological portrait of the heroine, ready and able to sacrifice and sacrifice her position for the sake of others, and others use this willingness of a defenseless child to their advantage. However, there is an internal struggle in Nelly's own soul, and reconciliation for herself she considers impossible. The heroine of the story F. Dostoevsky's "Akulkin's Husband" embodies the best typological features of the image of a Russian woman. The shark in the writer's literary text has a loving heart and the ability to mercy and self-sacrifice, which was extremely important in the human personality for F. himself. Dostoevsky. The image of Lisa from "Notes from the Underground" is associated with the moral and ethical position of F. Dostoevsky, for whom the ability of a person to selflessly sacrifice himself for the sake of others is the highest moral and spiritual degree of his development. The character of Polina in the novel "The Gambler" opens a new female type in the work of the Russian writer. It is with this type and with this description of female feelings and female passion that the subsequent perception of the image of a Russian woman in the Western European cultural tradition will be associated. Russian Russian theme in the novel "The Gambler" is connected with the image of the heroine's grandmother, who alone calls her by her Russian name – Praskovya. The possibility of Polina's return to Russia is interpreted by the writer as an appeal to national roots and native soil.