Kristen musikk som debatt-tema i det lavkirkelige bedehus-Norge i perioden 1970–2010

The author of this article describes the discussions about the use of music within the Lutheran low-church movements in Norway from approximately 1970 to 2010. The right-wing side in these discussions had a so-called spirit-dogmatically rooted view. !ey argued that music is not spiritually neutral. Christians must warn against “modern music”. Their ideals were composers from times when music was made for Soli Deo Gloria - especially composers such as J. S. Bach. Other leaders – at various levels – had a more open view. !ey primarily saw music as an expression of gifts given by the Creator. !ey emphasised that we must be sensitive to various cultural changes and to people’s feelings and traditions. However, music must not be used in a provocative way. We must consider how people in the congregations experience the music. !e author also discusses the content of the lyrics in newer hymns and songs. His main point is that the biblical basis in the lyrics is more important than ever, and he looks forward to further discussions where the message of Christian songs is more in focus.

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Publication Details

Journal
MF journals
Published
2024-12-20
DOI
https://doi.org/10.48626/ntm.v78i1.5591
Primary Topic
Kierkegaardian Philosophy and Influence
Type
article
Field-Weighted Citation Impact
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article

Kristen musikk som debatt-tema i det lavkirkelige bedehus-Norge i perioden 1970–2010

MF journals
Kierkegaardian Philosophy and Influence
article

Kristen musikk som debatt-tema i det lavkirkelige bedehus-Norge i perioden 1970–2010

article en

Abstract

The author of this article describes the discussions about the use of music within the Lutheran low-church movements in Norway from approximately 1970 to 2010. The right-wing side in these discussions had a so-called spirit-dogmatically rooted view. !ey argued that music is not spiritually neutral. Christians must warn against “modern music”. Their ideals were composers from times when music was made for Soli Deo Gloria - especially composers such as J. S. Bach. Other leaders – at various levels – had a more open view. !ey primarily saw music as an expression of gifts given by the Creator. !ey emphasised that we must be sensitive to various cultural changes and to people’s feelings and traditions. However, music must not be used in a provocative way. We must consider how people in the congregations experience the music. !e author also discusses the content of the lyrics in newer hymns and songs. His main point is that the biblical basis in the lyrics is more important than ever, and he looks forward to further discussions where the message of Christian songs is more in focus.

MF journals
Fjellhaug Internasjonale Høgskole (NO)
Openalex Percentile: Top 42%
Kierkegaardian Philosophy and Influence
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