Little Girl Giants Shoe

Little Girl Giants Shoe came into play through powerful memories I hold from my childhood when I witnessed the Liverpool Giants. To capture the essence of those moments, I chose a range of blues, starting with ultramarine and blending phthalo blue with titanium white to create a custom palette, reflecting the varying tones of water. The end of my paintbrush was used to create subtle wave-like movements, allowing the deeper ultramarine to show through, while a squeegee helped me express my emotions across the sky, tapping into my inner child’s voice. For the Giants shoe, I used burnt sienna and employed a layering technique, constantly reworking the surface by dripping, splattering and scraping away paint. This process of applying and removing layers reflected the complexity of memory and feeling. As I painted, I connected with the emotions I experienced as a child witnessing the Giants, bringing those feelings to the surface once again. Through these techniques, I sought not only to recreate the scene from archival snapshots but to channel the emotions and memories of that awe-inspiring moment. The painting is an emotional tribute to both the Giants and my own childhood wonder. I have had success with this painting this year, it was accepted into the extended longlist for the Jackson Art Prize.

Publication Details

Journal
Liverpool John Moores University
Published
2025-05-22
DOI
https://doi.org/10.24377/lsaci.article3157
Primary Topic
Art, Technology, and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Little Girl Giants Shoe

Liverpool John Moores University
Art, Technology, and Culture
article

Little Girl Giants Shoe

article en

Abstract

Little Girl Giants Shoe came into play through powerful memories I hold from my childhood when I witnessed the Liverpool Giants. To capture the essence of those moments, I chose a range of blues, starting with ultramarine and blending phthalo blue with titanium white to create a custom palette, reflecting the varying tones of water. The end of my paintbrush was used to create subtle wave-like movements, allowing the deeper ultramarine to show through, while a squeegee helped me express my emotions across the sky, tapping into my inner child’s voice. For the Giants shoe, I used burnt sienna and employed a layering technique, constantly reworking the surface by dripping, splattering and scraping away paint. This process of applying and removing layers reflected the complexity of memory and feeling. As I painted, I connected with the emotions I experienced as a child witnessing the Giants, bringing those feelings to the surface once again. Through these techniques, I sought not only to recreate the scene from archival snapshots but to channel the emotions and memories of that awe-inspiring moment. The painting is an emotional tribute to both the Giants and my own childhood wonder. I have had success with this painting this year, it was accepted into the extended longlist for the Jackson Art Prize.

Liverpool John Moores University
Openalex Percentile: Top 57%
Art, Technology, and Culture
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