<b>LITERATURE AND CULTURAL NATIONALISM IN SELECTED NOVELS OF NGUGI WA THIONG’O</b>

Literature embodies a wide range of human experiences, dealing with man in his immediate environment. Africa encompasses a diverse range of traditional beliefs and cultural traditions that are occasionally shared by numerous societies. These ideas and rituals are developed from the people's revered culture and they provide a connection between people's historical heritage and the current day.<b> </b>This paper adopts Library-based research or content analysis using Ngugi wa Thiongo’s novels <i>Weep Not, Child, The River Between, Petals of Blood </i>and <i>Wizard of the Crow </i>as primary sources of data and other critical literary materials about Ngugi’s literary ouvres as secondary sources of data. Employing Marxism, Ngugi’s Globalectics theory and the politics of knowing and mythology as interpretative ideologies, the paper examine Ngugi wa Thiongo’s approach in trying to wrestle Africa’s cultural heritage from the Neo-colonial whims of the West in collusion with African elites in the era of globalizatioin. This paper therefore analyses Ngugi’s cultural nationalism project and the effectiveness of his advocacy for resistance and rejection of bad leadership in Africa by the teaming masses of Africa.

Publication Details

Journal
Figshare
Published
2025-01-01
DOI
https://doi.org/10.6084/m9.figshare.28490381.v1
Primary Topic
Postcolonial and Cultural Literary Studies
Type
article
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LITERATURE AND CULTURAL NATIONALISM IN SELECTED NOVELS OF NGUGI WA THIONG’O

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Postcolonial and Cultural Literary Studies
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LITERATURE AND CULTURAL NATIONALISM IN SELECTED NOVELS OF NGUGI WA THIONG’O

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Abstract

Literature embodies a wide range of human experiences, dealing with man in his immediate environment. Africa encompasses a diverse range of traditional beliefs and cultural traditions that are occasionally shared by numerous societies. These ideas and rituals are developed from the people's revered culture and they provide a connection between people's historical heritage and the current day.<b> </b>This paper adopts Library-based research or content analysis using Ngugi wa Thiongo’s novels <i>Weep Not, Child, The River Between, Petals of Blood </i>and <i>Wizard of the Crow </i>as primary sources of data and other critical literary materials about Ngugi’s literary ouvres as secondary sources of data. Employing Marxism, Ngugi’s Globalectics theory and the politics of knowing and mythology as interpretative ideologies, the paper examine Ngugi wa Thiongo’s approach in trying to wrestle Africa’s cultural heritage from the Neo-colonial whims of the West in collusion with African elites in the era of globalizatioin. This paper therefore analyses Ngugi’s cultural nationalism project and the effectiveness of his advocacy for resistance and rejection of bad leadership in Africa by the teaming masses of Africa.

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Postcolonial and Cultural Literary Studies
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