Folk and Tribal Art of India

India’s folk and tribal art represents a vibrant confluence of culture, tradition, and community life. Rooted in rural and indigenous societies, these art forms serve as powerful vehicles of storytelling, spiritual expression, and socio-cultural identity. Unlike classical art with its codified rules, folk and tribal art is spontaneous, deeply symbolic, and passed down through generations via oral traditions and communal practices. This paper explores the origins, characteristics, regional diversity, and cultural significance of prominent Indian folk and tribal art forms, including Madhubani, Warli, Gond, Pattachitra, Bhil, and Kalighat paintings. It further analyses the symbolism embedded within these artworks and highlights the challenges faced due to modernization, commercialization, and lack of institutional support. By examining current efforts for preservation and the growing global interest in these traditional forms, the study underscores their contemporary relevance. Ultimately, the paper argues for the need to recognize and sustain these living traditions as essential carriers of India’s intangible cultural heritage.

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2025-07-04
DOI
https://doi.org/10.5281/zenodo.15796460
Primary Topic
South Asian Cinema and Culture
Type
article
Field-Weighted Citation Impact
0.00
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Folk and Tribal Art of India

Zenodo (CERN European Organization for Nuclear Research)
South Asian Cinema and Culture
article

Folk and Tribal Art of India

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Abstract

India’s folk and tribal art represents a vibrant confluence of culture, tradition, and community life. Rooted in rural and indigenous societies, these art forms serve as powerful vehicles of storytelling, spiritual expression, and socio-cultural identity. Unlike classical art with its codified rules, folk and tribal art is spontaneous, deeply symbolic, and passed down through generations via oral traditions and communal practices. This paper explores the origins, characteristics, regional diversity, and cultural significance of prominent Indian folk and tribal art forms, including Madhubani, Warli, Gond, Pattachitra, Bhil, and Kalighat paintings. It further analyses the symbolism embedded within these artworks and highlights the challenges faced due to modernization, commercialization, and lack of institutional support. By examining current efforts for preservation and the growing global interest in these traditional forms, the study underscores their contemporary relevance. Ultimately, the paper argues for the need to recognize and sustain these living traditions as essential carriers of India’s intangible cultural heritage.

Zenodo (CERN European Organization for Nuclear Research)
Sustainable cities and communities
Openalex Percentile: Top 59%
South Asian Cinema and Culture
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Folk and Tribal Art of India · Zenodo (CERN European Organization for Nuclear Research) (2025) | TGRS Research Map | TGRS