The Buddha of Auspicious Grace: The First Image and Sacred Objects of Dhamma

In the pursuit of sustainable Buddhist propagation, The Buddha of Auspicious Grace: The First Image at Wat Khao Wong Chang, Rayong Province, stands as a spiritual cornerstone that unites the Buddhist community through faith, artistic devotion, and cultural heritage. This principal Buddha image, inspired by adapted Sukhothai aesthetics, reflects the values of simplicity, serenity, sanctity, and splendor. Alongside the construction of the image, a collection of sacred amulets was created designed not only as devotional objects but as tangible channels for spreading the Dhamma. These include clay Buddha amulets, traditional cast medals, and miniature Buddha statues, each blessed through solemn consecration ceremonies by revered monks. The article explores the religious, artistic, and spiritual significance of these sacred items, viewing them as instruments of moral propagation. Far beyond superstition, they embody ethical values and community unity, setting a model for integrating faith, art, and local engagement in contemporary Buddhist practice.

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2025-07-20
DOI
https://doi.org/10.5281/zenodo.16216719
Primary Topic
Indian and Buddhist Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

The Buddha of Auspicious Grace: The First Image and Sacred Objects of Dhamma

Zenodo (CERN European Organization for Nuclear Research)
Indian and Buddhist Studies
article

The Buddha of Auspicious Grace: The First Image and Sacred Objects of Dhamma

article en

Abstract

In the pursuit of sustainable Buddhist propagation, The Buddha of Auspicious Grace: The First Image at Wat Khao Wong Chang, Rayong Province, stands as a spiritual cornerstone that unites the Buddhist community through faith, artistic devotion, and cultural heritage. This principal Buddha image, inspired by adapted Sukhothai aesthetics, reflects the values of simplicity, serenity, sanctity, and splendor. Alongside the construction of the image, a collection of sacred amulets was created designed not only as devotional objects but as tangible channels for spreading the Dhamma. These include clay Buddha amulets, traditional cast medals, and miniature Buddha statues, each blessed through solemn consecration ceremonies by revered monks. The article explores the religious, artistic, and spiritual significance of these sacred items, viewing them as instruments of moral propagation. Far beyond superstition, they embody ethical values and community unity, setting a model for integrating faith, art, and local engagement in contemporary Buddhist practice.

Zenodo (CERN European Organization for Nuclear Research)
University of the Visual & Performing Arts (LK)
Life in Land
Openalex Percentile: Top 66%
Indian and Buddhist Studies
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The Buddha of Auspicious Grace: The First Image and Sacred Objects of Dhamma · Zenodo (CERN European Organization for Nuclear Research) (2025) | TGRS Research Map | TGRS