BADIIY KULOLCHILIK: AN'ANAVIYLIK VA ZAMONAVIYLIK

In Uzbekistan, non-traditional pottery began to take shape starting from the 1970s. It was during these years that significant stylistic and plastic transformations occurred in sculpting and decorative ceramics. The process of harmonizing sculpture and ceramics had already begun. Despite the similarities in artistic solutions and methods in sculpture and ceramics, and the "disappearance of genre boundaries", non-traditional pottery developed independently from traditional pottery. According to art historians, the evolution of non-traditional art and crafts in our country, and its distinctive rise, occurred after the independence.

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2025-05-06
DOI
https://doi.org/10.5281/zenodo.15352047
Primary Topic
Education, Innovation and Language Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

BADIIY KULOLCHILIK: AN'ANAVIYLIK VA ZAMONAVIYLIK

Zenodo (CERN European Organization for Nuclear Research)
Education, Innovation and Language Studies
article

BADIIY KULOLCHILIK: AN'ANAVIYLIK VA ZAMONAVIYLIK

article en

Abstract

In Uzbekistan, non-traditional pottery began to take shape starting from the 1970s. It was during these years that significant stylistic and plastic transformations occurred in sculpting and decorative ceramics. The process of harmonizing sculpture and ceramics had already begun. Despite the similarities in artistic solutions and methods in sculpture and ceramics, and the "disappearance of genre boundaries", non-traditional pottery developed independently from traditional pottery. According to art historians, the evolution of non-traditional art and crafts in our country, and its distinctive rise, occurred after the independence.

Zenodo (CERN European Organization for Nuclear Research)
Institut Seni Indonesia Surakarta (ID)
Sustainable cities and communities
Openalex Percentile: Top 56%
Education, Innovation and Language Studies
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