Decolonizing the Digital: Postcolonial Narratives in the Age of Technology

Abstract Postcolonial narratives are now trained on the digital domain wherethese identity formations, migrations, and cultural hybrids have foundthemselves. This convergence of the systems of digital capitalism,globalization, and postcolonial text analysis can be scrutinized inliterature as an indispensable medium. This study investigates theway postcolonial identity is negotiated in Salman Rushdie’sMidnight’s Children, Chimamanda Ngozi Adichie’s Americanah,Zadie Smith’s White Teeth, and David Mitchell’s Cloud Atlas withdigital technology as a backdrop. By analysing these works, the studyconsiders how digital platforms act simultaneously as sites of culturalresistance and vehicles that reproduce colonial hierarchies. Althoughtechnology provides marginalized voices the chance to self-represent,it continues to bolster systems of surveillance, censorship, and digitalimperialism. By interrogating these dualities, this paper contributes tothe discourse on decolonization in the digital age.Keywords: Postcolonialism, Digital Identity, Globalization, CulturalHybridity, Digital Colonialism, Technological Surveillance,

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2025-04-24
DOI
https://doi.org/10.5281/zenodo.15277680
Primary Topic
Postcolonial and Cultural Literary Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Decolonizing the Digital: Postcolonial Narratives in the Age of Technology

Zenodo (CERN European Organization for Nuclear Research)
Postcolonial and Cultural Literary Studies
article

Decolonizing the Digital: Postcolonial Narratives in the Age of Technology

article en

Abstract

Abstract Postcolonial narratives are now trained on the digital domain wherethese identity formations, migrations, and cultural hybrids have foundthemselves. This convergence of the systems of digital capitalism,globalization, and postcolonial text analysis can be scrutinized inliterature as an indispensable medium. This study investigates theway postcolonial identity is negotiated in Salman Rushdie’sMidnight’s Children, Chimamanda Ngozi Adichie’s Americanah,Zadie Smith’s White Teeth, and David Mitchell’s Cloud Atlas withdigital technology as a backdrop. By analysing these works, the studyconsiders how digital platforms act simultaneously as sites of culturalresistance and vehicles that reproduce colonial hierarchies. Althoughtechnology provides marginalized voices the chance to self-represent,it continues to bolster systems of surveillance, censorship, and digitalimperialism. By interrogating these dualities, this paper contributes tothe discourse on decolonization in the digital age.Keywords: Postcolonialism, Digital Identity, Globalization, CulturalHybridity, Digital Colonialism, Technological Surveillance,

Zenodo (CERN European Organization for Nuclear Research)
Jiwaji University (IN)
Openalex Percentile: Top 58%
Postcolonial and Cultural Literary Studies
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