THE SENSITIVE CONTENT

“The one and only technique to convey feeling in the procedure of art is by discovery a “objective correlative,” wrote T. S. Eliot in his essay, “Hamlet and His Problems”(100). When it moves toward desolation, the approach to prompt the hopeless is through an abjective correlative: a mythical image of unhappiness, for according to Kristeva, such meaning is “none but literature” (Powers 5). Language is the connection that associates the desolation and literature, as Kelly Oliver composes in her book, Reading Kristeva: Unraveling the Double-bind, “the horrible displays only inside secondary subjugation, language” (59), and symbol, a type of semantic meaning in which the drives burst into language” (74), design an attraction with poetry