Obraz domu w "Dziennikach" dorastającej Agnieszki Osieckiej

The image of home in the diaries of an adolescent Agnieszka Osiecka Agnieszka Osiecka’s diaries contain an interesting portrayal of her family. Two volumes of diary entries may be particularly useful for analysis: I (1945-1950) and II (1951). It is within these volumes that family dynamics are particularly visible, which are later replaced by accounts of other experiences. The reflection on the family experience in the aforementioned works focuses on three main characters – Wiktor and Maria Osieccy and their daughter, Agnieszka. Each of these individuals plays various roles within the family system – husband and father, wife and mother, and daughter, who also serves as an intermediary between the parents. The Osiecki family is presented from the perspective of the adolescent poet, enriching our understanding not only of her life but also showing the influence of her early experiences and upbringing on her later choices. The family life recorded in the diaries revolves around the father’s betrayal, which forced individual members to adopt various roles, don masks, and try to cope with this difficult experience. Another important aspect is how young Osiecka was raised and how she defied the stereotypes of her time regarding the role of young girls. We should also consider the historical context – Osiecka’s diaries preserve one of many snapshots of Polish family life in the 1940s and 1950s, which struggled with the aftermath of war and the realities of communism. However, it’s important to note that the family mentioned is not representative of the entire phenomenon, as it is associated with the world of culture and art, and therefore does not reflect the experiences of an average person living during that period. The figure of the father-traitor is juxtaposed with the passivity of the mother, compelling the daughter to assume the role of an intermediary and, simultaneously, a keen observer of human problems and motives of action. According to Charles Taylor, an individual shapes their own „self” as a result of interactions with the immediate environment and the opinions they encounter. Growing up, Osiecka also faced this challenge and had to respond to the views presented by her parents and the environment in which she functioned.

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2024-12-18
DOI
https://doi.org/10.5281/zenodo.14517102
Primary Topic
Social Issues in Poland
Type
article
Field-Weighted Citation Impact
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article

Obraz domu w "Dziennikach" dorastającej Agnieszki Osieckiej

Zenodo (CERN European Organization for Nuclear Research)
Social Issues in Poland
article

Obraz domu w "Dziennikach" dorastającej Agnieszki Osieckiej

article en

Abstract

The image of home in the diaries of an adolescent Agnieszka Osiecka Agnieszka Osiecka’s diaries contain an interesting portrayal of her family. Two volumes of diary entries may be particularly useful for analysis: I (1945-1950) and II (1951). It is within these volumes that family dynamics are particularly visible, which are later replaced by accounts of other experiences. The reflection on the family experience in the aforementioned works focuses on three main characters – Wiktor and Maria Osieccy and their daughter, Agnieszka. Each of these individuals plays various roles within the family system – husband and father, wife and mother, and daughter, who also serves as an intermediary between the parents. The Osiecki family is presented from the perspective of the adolescent poet, enriching our understanding not only of her life but also showing the influence of her early experiences and upbringing on her later choices. The family life recorded in the diaries revolves around the father’s betrayal, which forced individual members to adopt various roles, don masks, and try to cope with this difficult experience. Another important aspect is how young Osiecka was raised and how she defied the stereotypes of her time regarding the role of young girls. We should also consider the historical context – Osiecka’s diaries preserve one of many snapshots of Polish family life in the 1940s and 1950s, which struggled with the aftermath of war and the realities of communism. However, it’s important to note that the family mentioned is not representative of the entire phenomenon, as it is associated with the world of culture and art, and therefore does not reflect the experiences of an average person living during that period. The figure of the father-traitor is juxtaposed with the passivity of the mother, compelling the daughter to assume the role of an intermediary and, simultaneously, a keen observer of human problems and motives of action. According to Charles Taylor, an individual shapes their own „self” as a result of interactions with the immediate environment and the opinions they encounter. Growing up, Osiecka also faced this challenge and had to respond to the views presented by her parents and the environment in which she functioned.

Zenodo (CERN European Organization for Nuclear Research)
Uniwersytet Komisji Edukacji Narodowej w Krakowie (PL)
Gender equality
Openalex Percentile: Top 41%
Social Issues in Poland
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