NATURE AS A NARRATIVE FORCE: THE EPHEMERAL DICHOTOMY OF NATURE IN KEKI DARUWALLA'S POEMS

In Keki Daruwalla’s poetry, nature is not merely a backdrop but a dynamic narrative force that shapes the thematic and symbolic dimensions of his work. This article, explores how nature acts as a powerful narrative device in four major works: “Boat-Ride Along the Ganga,” “Fire Hymn,” “Hawk,” and “The Ghaghra in Spate.” These poems highlight the poet’s intricate portrayal of environmental forces, transforming landscapes into symbolic agents of cultural and personal reflection. “Boat-Ride Along the Ganga” reflects the sacredness and the complexity of human interaction with the river, not only as a site of ritualistic purity but also as a reminder of death and life’s transitory nature. “Fire Hymn” presents nature as an element of destruction and regeneration, where fire becomes a powerful symbol of human suffering, loss, and cleansing. In “Hawk,” Daruwalla employs the predator as a metaphor for predation, authority, and freedom, suggesting an inherent brutality within natural cycles that mirror human violence. Finally, “The Ghaghra in Spate” uses the imagery of a river in flood to depict nature’s unpredictable and uncontrollable power, symbolizing the fragility of human constructions against the forces of nature. Daruwalla’s environmental imagery is not merely descriptive but deeply allegorical, reflecting broader themes of life, death, violence, and human frailty. By exploring these four poems, the article delves into how Daruwalla’s portrayal of nature provides both physical and metaphysical insights into the human condition, positioning nature as a protagonist in the narrative of human existence. Through his poetic lens, nature serves as a mirror for humanity’s spiritual and existential dilemmas, inviting a reflection on ecological responsibility and the sacred relationship between humans and the natural world. This study seeks to deepen our understanding of Daruwalla’s environmental imagery, arguing that his use of nature serves to challenge anthropocentric perspectives, offering instead a vision of nature as an equal, if not dominant, force in shaping human destiny.

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2024-10-16
DOI
https://doi.org/10.5281/zenodo.13939889
Primary Topic
South Asian Studies and Diaspora
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

NATURE AS A NARRATIVE FORCE: THE EPHEMERAL DICHOTOMY OF NATURE IN KEKI DARUWALLA'S POEMS

Zenodo (CERN European Organization for Nuclear Research)
South Asian Studies and Diaspora
article

NATURE AS A NARRATIVE FORCE: THE EPHEMERAL DICHOTOMY OF NATURE IN KEKI DARUWALLA'S POEMS

article en

Abstract

In Keki Daruwalla’s poetry, nature is not merely a backdrop but a dynamic narrative force that shapes the thematic and symbolic dimensions of his work. This article, explores how nature acts as a powerful narrative device in four major works: “Boat-Ride Along the Ganga,” “Fire Hymn,” “Hawk,” and “The Ghaghra in Spate.” These poems highlight the poet’s intricate portrayal of environmental forces, transforming landscapes into symbolic agents of cultural and personal reflection. “Boat-Ride Along the Ganga” reflects the sacredness and the complexity of human interaction with the river, not only as a site of ritualistic purity but also as a reminder of death and life’s transitory nature. “Fire Hymn” presents nature as an element of destruction and regeneration, where fire becomes a powerful symbol of human suffering, loss, and cleansing. In “Hawk,” Daruwalla employs the predator as a metaphor for predation, authority, and freedom, suggesting an inherent brutality within natural cycles that mirror human violence. Finally, “The Ghaghra in Spate” uses the imagery of a river in flood to depict nature’s unpredictable and uncontrollable power, symbolizing the fragility of human constructions against the forces of nature. Daruwalla’s environmental imagery is not merely descriptive but deeply allegorical, reflecting broader themes of life, death, violence, and human frailty. By exploring these four poems, the article delves into how Daruwalla’s portrayal of nature provides both physical and metaphysical insights into the human condition, positioning nature as a protagonist in the narrative of human existence. Through his poetic lens, nature serves as a mirror for humanity’s spiritual and existential dilemmas, inviting a reflection on ecological responsibility and the sacred relationship between humans and the natural world. This study seeks to deepen our understanding of Daruwalla’s environmental imagery, arguing that his use of nature serves to challenge anthropocentric perspectives, offering instead a vision of nature as an equal, if not dominant, force in shaping human destiny.

Zenodo (CERN European Organization for Nuclear Research)
Peace, Justice and strong institutions
Openalex Percentile: Top 46%
South Asian Studies and Diaspora
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

NATURE AS A NARRATIVE FORCE: THE EPHEMERAL DICHOTOMY OF NATURE IN KEKI DARUWALLA'S POEMS · Zenodo (CERN European Organization for Nuclear Research) (2024) | TGRS Research Map | TGRS