Rybałt – teatr wędrowny Stanisławy Wysockiej

The article presents the history and significance of the Rybałt Theater, the first professional theater for working-class audiences directed by a woman in interwar Warsaw. Stanisława Wysocka, an established director and actress, initiated this activity as a response to the theatrical crisis, offering an alternative to naturalism and traditional repertoire. The author discusses how the theater functioned in 1925-1926, analyzing its repertoire, its activities in various districts of Warsaw and its tours around Poland. Wysocka shaped a new type of actor and spectator, emphasizing aesthetic and emotional education of the audience. The article highlights Rybalt’s financial and organizational difficulties, as well as its relationship with other theater projects of the era, such as Leon Schiller’s Teatr im. Bogusławskiego and Witold Wandurski’s initiatives. Based on rich source material, including letters, reviews and memoirs, the author reconstructs the theater’s activities and points to its unique contribution to the development of Polish theater.

Institutions

Publication Details

Journal
Instytut im. Jerzego Grotowskiego
Published
2024-12-18
DOI
https://doi.org/10.34762/yk7k-d644
Primary Topic
Diverse Academic Research Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Rybałt – teatr wędrowny Stanisławy Wysockiej

Instytut im. Jerzego Grotowskiego
Diverse Academic Research Studies
article

Rybałt – teatr wędrowny Stanisławy Wysockiej

article en

Abstract

The article presents the history and significance of the Rybałt Theater, the first professional theater for working-class audiences directed by a woman in interwar Warsaw. Stanisława Wysocka, an established director and actress, initiated this activity as a response to the theatrical crisis, offering an alternative to naturalism and traditional repertoire. The author discusses how the theater functioned in 1925-1926, analyzing its repertoire, its activities in various districts of Warsaw and its tours around Poland. Wysocka shaped a new type of actor and spectator, emphasizing aesthetic and emotional education of the audience. The article highlights Rybalt’s financial and organizational difficulties, as well as its relationship with other theater projects of the era, such as Leon Schiller’s Teatr im. Bogusławskiego and Witold Wandurski’s initiatives. Based on rich source material, including letters, reviews and memoirs, the author reconstructs the theater’s activities and points to its unique contribution to the development of Polish theater.

Instytut im. Jerzego Grotowskiego
Jagiellonian University (PL)
Gender equality
Openalex Percentile: Top 46%
Diverse Academic Research Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Rybałt – teatr wędrowny Stanisławy Wysockiej · Instytut im. Jerzego Grotowskiego (2024) | TGRS Research Map | TGRS