From concept to exhibition: on the creative process of an AI-driven stereoscopic video installation

This paper explores the creative process surrounding spectral spaces, an AI-driven video installation that reinterprets stereoscopic imaging through contemporary digital techniques. By combining generative AI with optical principles, the work challenges conventional visual perception, creating an unstable, fluctuating field of engagement. The installation adopts a structured viewing approach that encourages an individualized interaction, heightening awareness of the act of seeing. Through a juxtaposition of historical apparatuses and algorithmically generated imagery, it examines the evolving relationship between materiality and digital intangibility. Audience responses gathered during its exhibition provided insights into the perceptual dynamics at play, revealing how the interplay of stereoscopy and artificial intelligence fosters sustained exploration and introspection. The findings suggest that this approach not only expands the expressive possibilities of stereoscopic media but also raises critical questions about the mediation of vision through technology, illustrating how reimagined historical techniques can inform and transform contemporary artistic practices.

Institutions

Publication Details

Journal
Universidade Católica Portuguesa
Published
2025-02-07
DOI
https://doi.org/10.34632/jsta.2025.17640
Primary Topic
Digital Media and Philosophy
Type
article
Field-Weighted Citation Impact
0.00
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article

From concept to exhibition: on the creative process of an AI-driven stereoscopic video installation

Universidade Católica Portuguesa
Digital Media and Philosophy
article

From concept to exhibition: on the creative process of an AI-driven stereoscopic video installation

article en

Abstract

This paper explores the creative process surrounding spectral spaces, an AI-driven video installation that reinterprets stereoscopic imaging through contemporary digital techniques. By combining generative AI with optical principles, the work challenges conventional visual perception, creating an unstable, fluctuating field of engagement. The installation adopts a structured viewing approach that encourages an individualized interaction, heightening awareness of the act of seeing. Through a juxtaposition of historical apparatuses and algorithmically generated imagery, it examines the evolving relationship between materiality and digital intangibility. Audience responses gathered during its exhibition provided insights into the perceptual dynamics at play, revealing how the interplay of stereoscopy and artificial intelligence fosters sustained exploration and introspection. The findings suggest that this approach not only expands the expressive possibilities of stereoscopic media but also raises critical questions about the mediation of vision through technology, illustrating how reimagined historical techniques can inform and transform contemporary artistic practices.

Universidade Católica Portuguesa
Centro de Investigação em Artes e Comunicação (PT), Polytechnic Institute of Porto (PT)
Openalex Percentile: Top 57%
Digital Media and Philosophy
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From concept to exhibition: on the creative process of an AI-driven stereoscopic video installation · Universidade Católica Portuguesa (2025) | TGRS Research Map | TGRS