Aesthetic Revenants and the Neo-Decadent Afterlife of Vernon Lee

Anglo-Italian author Vernon Lee (1856-1935) and Italian poet Gabriele D’Annunzio (1863-1938) shared a style of writing which has been described by Emily Anne Rabiner in The Decadent Renaissance: The Antimodern Seductions of Gabriele D’Annunzio and Vernon Lee as ‘Decadent Renaissance: a revival of, or a neo-Renaissance approach to aesthetics and sexuality’. It suggests ‘a version of Renaissance Revivalism that privileges fantastical transformation’ and is ‘concerned with the possibility of embodied, often dangerously erotic, encounters with the past’.

Publication Details

Journal
TeesRep (Teesside University)
Published
2024-12-06
DOI
https://doi.org/10.25602/gold.v.v7i1.1845.g1952
Primary Topic
Decadence, Literature, and Society
Type
article
Field-Weighted Citation Impact
0.00
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article

Aesthetic Revenants and the Neo-Decadent Afterlife of Vernon Lee

TeesRep (Teesside University)
Decadence, Literature, and Society
article

Aesthetic Revenants and the Neo-Decadent Afterlife of Vernon Lee

article en

Abstract

Anglo-Italian author Vernon Lee (1856-1935) and Italian poet Gabriele D’Annunzio (1863-1938) shared a style of writing which has been described by Emily Anne Rabiner in The Decadent Renaissance: The Antimodern Seductions of Gabriele D’Annunzio and Vernon Lee as ‘Decadent Renaissance: a revival of, or a neo-Renaissance approach to aesthetics and sexuality’. It suggests ‘a version of Renaissance Revivalism that privileges fantastical transformation’ and is ‘concerned with the possibility of embodied, often dangerously erotic, encounters with the past’.

TeesRep (Teesside University)
Gender equality
Openalex Percentile: Top 47%
Decadence, Literature, and Society
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Aesthetic Revenants and the Neo-Decadent Afterlife of Vernon Lee · TeesRep (Teesside University) (2024) | TGRS Research Map | TGRS