Conserving Performance, Performing Conservation: Research Festival and Exhibition, September 14-29, 2024, Tanzhaus Zurich, Aargauer Kunsthaus, Association pour la Danse Contemporaine Geneva, Musée cantonal des Beaux-Arts Lausanne, Dampfzentrale Bern,

Can performance be conserved, and if so, how? And what does it mean to conserve performance? This research festival and exhibition are dedicated to bringing the outcomes of four years of research Performance: Conservation, Materiality, Knowledge (Swiss National Science Foundation, 2020 – 2024) to a wider audience. The festival will take place in established visual arts, dance and performances institutions across Switzerland. Three full days of interactive, thematic workshops, demonstrations and discussions and two artist events will be accompanied by an exhibition at the HKB that probes, in an experimental way, the ongoingness of performance in a deep time of conservation. Exhibition September 14 – 29, 2024 Yet To Come: Experiments in Reverse-Engineering and Conserving Performance A curatorial walk-through the exhibition: Tue, September 17, 5pm – 6pm Wed, September 25, 5pm – 6pm Location: Bern Academy of the Arts, Directors Hall, Fellerstrasse 11, 3027 Bern DAY 1: September 15, 2024, 10:00 a.m.–19:00 p.m. The bodily transmission of knowledge. Speakers: Sara Wookey, Megan Metcalf, Peter Pleyer, Anna Huber, Catja Loepfe, Declan Whitaker, Hanna Hölling, Joanna Leśnierowska, Andrej Mirčev and others. Location: Tanzhaus Zürich, Bühne 2, Wasserwerkstrasse 129, 8037 Zürich. DAY 2: September 19, 2024, 6:00 p.m.–7:30 p.m. Conserving absence: Florence Jung in conversation. Speakers: Florence Jung in conversation with Hanna B. Hölling, Emilie Magnin and Simona Ciuccio.. Location: Aargauer Kunsthaus, Aargauerplatz, 5001 Aarau. DAY 3: September 21, 2024, 10:00 a.m.–7:00 p.m. Speakers: Cori Olinghouse, Thomas Plischke, Eszter Salamon, Rachel Mader, Joanna Leśnierowska and others. Film screenings: Eszter Salamon, Reappearance (2022) and Sommerspiele (2023). Location: ADC, Maison des arts du Grütli, Rue du Général-Dufour 16, 1204 Genève. DAY 4: September 22, 2024, 4:00 p.m.–6:00 p.m. REVISITATIONS: Eszter Salamon, Dance for Nothing (Revisited, 2024). Performance followed by a discussion with the artist. Location: MCBA I Musée cantonal des Beaux-Arts, Plateforme 10, Place de la Gare 16, 1003 Lausanne DAY 5: September 28, 2024, 10:00 a.m.–7:00 p.m. Speakers: Saša Asentić, Nina Mühlemann, Rebecca Gordon, Muda Mathis, Andrea Saemann, Dorothea Rust, Chris Regn, Gisela Hochuli, Sabine Gebhardt Fink, Tabea Lurk, Julia Asperska and others. Location: Dampfzentrale Bern, Marzilistrasse 47, 3005 Bern

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Publication Details

Journal
BFH: ARBOR
Published
2024-09-14
DOI
https://doi.org/10.24451/dspace/11588
Primary Topic
Conservation Techniques and Studies
Type
article
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Conserving Performance, Performing Conservation: Research Festival and Exhibition, September 14-29, 2024, Tanzhaus Zurich, Aargauer Kunsthaus, Association pour la Danse Contemporaine Geneva, Musée cantonal des Beaux-Arts Lausanne, Dampfzentrale Bern,

BFH: ARBOR
Conservation Techniques and Studies
article

Conserving Performance, Performing Conservation: Research Festival and Exhibition, September 14-29, 2024, Tanzhaus Zurich, Aargauer Kunsthaus, Association pour la Danse Contemporaine Geneva, Musée cantonal des Beaux-Arts Lausanne, Dampfzentrale Bern,

article en

Abstract

Can performance be conserved, and if so, how? And what does it mean to conserve performance? This research festival and exhibition are dedicated to bringing the outcomes of four years of research Performance: Conservation, Materiality, Knowledge (Swiss National Science Foundation, 2020 – 2024) to a wider audience. The festival will take place in established visual arts, dance and performances institutions across Switzerland. Three full days of interactive, thematic workshops, demonstrations and discussions and two artist events will be accompanied by an exhibition at the HKB that probes, in an experimental way, the ongoingness of performance in a deep time of conservation. Exhibition September 14 – 29, 2024 Yet To Come: Experiments in Reverse-Engineering and Conserving Performance A curatorial walk-through the exhibition: Tue, September 17, 5pm – 6pm Wed, September 25, 5pm – 6pm Location: Bern Academy of the Arts, Directors Hall, Fellerstrasse 11, 3027 Bern DAY 1: September 15, 2024, 10:00 a.m.–19:00 p.m. The bodily transmission of knowledge. Speakers: Sara Wookey, Megan Metcalf, Peter Pleyer, Anna Huber, Catja Loepfe, Declan Whitaker, Hanna Hölling, Joanna Leśnierowska, Andrej Mirčev and others. Location: Tanzhaus Zürich, Bühne 2, Wasserwerkstrasse 129, 8037 Zürich. DAY 2: September 19, 2024, 6:00 p.m.–7:30 p.m. Conserving absence: Florence Jung in conversation. Speakers: Florence Jung in conversation with Hanna B. Hölling, Emilie Magnin and Simona Ciuccio.. Location: Aargauer Kunsthaus, Aargauerplatz, 5001 Aarau. DAY 3: September 21, 2024, 10:00 a.m.–7:00 p.m. Speakers: Cori Olinghouse, Thomas Plischke, Eszter Salamon, Rachel Mader, Joanna Leśnierowska and others. Film screenings: Eszter Salamon, Reappearance (2022) and Sommerspiele (2023). Location: ADC, Maison des arts du Grütli, Rue du Général-Dufour 16, 1204 Genève. DAY 4: September 22, 2024, 4:00 p.m.–6:00 p.m. REVISITATIONS: Eszter Salamon, Dance for Nothing (Revisited, 2024). Performance followed by a discussion with the artist. Location: MCBA I Musée cantonal des Beaux-Arts, Plateforme 10, Place de la Gare 16, 1003 Lausanne DAY 5: September 28, 2024, 10:00 a.m.–7:00 p.m. Speakers: Saša Asentić, Nina Mühlemann, Rebecca Gordon, Muda Mathis, Andrea Saemann, Dorothea Rust, Chris Regn, Gisela Hochuli, Sabine Gebhardt Fink, Tabea Lurk, Julia Asperska and others. Location: Dampfzentrale Bern, Marzilistrasse 47, 3005 Bern

BFH: ARBOR
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Conservation Techniques and Studies
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