Art of A.R.T.

I have sought ways since to write and create dialogues and debates, images and performance poetics that reflect the interior landscape of the involuntarily childless. Such a voice as mine, that of a sub-fertile woman's perspective, tends to appear last, if it appears at all, in media reportage of any hotly topical IVF related case. These are too often sensationalised so as to feed into the popular notion of fertility experts 'playing God' whilst the sub-fertile are portrayed as selfish heathens or pathetic victims.[...] Aptly, I think, the acronym for Assisted Reproduction Tech-nologies is A.R.T.[...]. My play Yerma's Eggs, though not a didactic work, aimed to bring the audience close-up to the infertile experience and bio-ethics in an immediate, emotional and interactive way as only live theatre can do. I wanted to explore how to get under the skin of the infertile subject, represent different cultural and sexual-choice perspectives and bring the bio-ethical debate on A.R.T. into a theatrical space, emotionally and deliberately in-conclusively.