Teresa Aranguren and Sandra Barrilaro, Against Erasure: A Photographic Memory of Palestine before the Nakba

Teresa Aranguren and Sandra Barrilaro, Against Erasure: A Photographic Memory of Palestine before the Nakba (Chicago: Haymarket Books, 2024), 240 pp, ISBN: 978-1-64259-980-0 Five young women stretch their arms upwards. The gesture resembles hands aloft in worship, like on the Mary Lou Williams Black Christ of the Andes album cover. But the action is not in prayer nor protest nor defence, rather in play. Above outstretched fingertips a black sphere in silhouette floats, a ball rendered flat, forever suspended midair close to the rim of a netless hoop and pole-mounted backboard. Standing close by, five, six, maybe more, women, girls, watch on with varying expressions: a beaming smile, furrowed brows of anticipation, excitement, intrigue. A caption to the joyful scene reads: 'Girls playing basketball at the Center for Women's Activities in Kalandia, West Bank, 1950s.

Publication Details

Journal
Kronos
Published
2025-07-04
DOI
https://doi.org/10.17159/2309-9585/2025/v51a16
Primary Topic
Jewish and Middle Eastern Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Teresa Aranguren and Sandra Barrilaro, Against Erasure: A Photographic Memory of Palestine before the Nakba

Kronos
Jewish and Middle Eastern Studies
article

Teresa Aranguren and Sandra Barrilaro, Against Erasure: A Photographic Memory of Palestine before the Nakba

article en

Abstract

Teresa Aranguren and Sandra Barrilaro, Against Erasure: A Photographic Memory of Palestine before the Nakba (Chicago: Haymarket Books, 2024), 240 pp, ISBN: 978-1-64259-980-0 Five young women stretch their arms upwards. The gesture resembles hands aloft in worship, like on the Mary Lou Williams Black Christ of the Andes album cover. But the action is not in prayer nor protest nor defence, rather in play. Above outstretched fingertips a black sphere in silhouette floats, a ball rendered flat, forever suspended midair close to the rim of a netless hoop and pole-mounted backboard. Standing close by, five, six, maybe more, women, girls, watch on with varying expressions: a beaming smile, furrowed brows of anticipation, excitement, intrigue. A caption to the joyful scene reads: 'Girls playing basketball at the Center for Women's Activities in Kalandia, West Bank, 1950s.

KronosVol. 51(1)
Gender equality
Openalex Percentile: Top 49%
Jewish and Middle Eastern Studies
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