“You are in the Dark”: Claudia Rankine’s Citizen, Black Transnational Identities

Black experimentalism probes different historical experiences and exclusive literary legacies that document a past marred by racism, injustice, humiliation, and exclusion. In the twenty-first century, black experimentalists face new challenges as they confront new means of racist aggression, unfair discrimination, and social rejection. This paper examines Jamaican American poet Claudia Rankine’s cross-genre Citizen: An American Lyric (2014), which exposes micro- and macro-aggressions and reveals quotidian racism against blacks in America. The paper attempts to answer the questions: How does Rankine, through a transnational self-positioning, establish the ostentatiously lyrical ‘I’ of the narrative voice and address an ambiguous ‘you’? And how are black identities forged amid those ever-racist micro- and macro-aggressions in the contemporary world? How does a transnation force its citizens to forge transnational identities therefore “marking a people in a state of perpetual not-at-homeness?” as Ashcroft puts it (2010, 74).

Authors

Institutions

Publication Details

Journal
Atlantis Journal of the Spanish Association for Anglo-American Studies
Published
2025-12-09
DOI
https://doi.org/10.28914/atlantis-2025-47.2.3
Primary Topic
Caribbean history, culture, and politics
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

“You are in the Dark”: Claudia Rankine’s Citizen, Black Transnational Identities

Yomna Saber
Atlantis Journal of the Spanish Association for Anglo-American Studies
Caribbean history, culture, and politics
article

“You are in the Dark”: Claudia Rankine’s Citizen, Black Transnational Identities

Yomna Saber
article en

Abstract

Black experimentalism probes different historical experiences and exclusive literary legacies that document a past marred by racism, injustice, humiliation, and exclusion. In the twenty-first century, black experimentalists face new challenges as they confront new means of racist aggression, unfair discrimination, and social rejection. This paper examines Jamaican American poet Claudia Rankine’s cross-genre Citizen: An American Lyric (2014), which exposes micro- and macro-aggressions and reveals quotidian racism against blacks in America. The paper attempts to answer the questions: How does Rankine, through a transnational self-positioning, establish the ostentatiously lyrical ‘I’ of the narrative voice and address an ambiguous ‘you’? And how are black identities forged amid those ever-racist micro- and macro-aggressions in the contemporary world? How does a transnation force its citizens to forge transnational identities therefore “marking a people in a state of perpetual not-at-homeness?” as Ashcroft puts it (2010, 74).

Atlantis Journal of the Spanish Association for Anglo-American Studies
Qatar University (QA)
Openalex Percentile: Top 52%
Caribbean history, culture, and politics
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.