Oneself in No Longer Blue Poetry Collection by Mohammad Abdelbari: A Thematic Study

This Research aims to provide a Critical Analysis to identify the forms of oneself in the Poetry Collection: No Longer Blue (Lam Yaʿud Azraqan), by Mohammad Abdelbari, by studying the major themes through which the states of oneself are formed in this Poetry Collection. The Research aims to achieve three objectives which are, firstly identifying the forms of oneself in No Longer Blue (Lam Ya ud Azraqan) Poetry Collection, second explaining the major basic themes of the forms of oneself in the Poetry Collection, and third identifying the aspects through which the major themes were revealed and reflected in the poetry contained therein the Poetry Collection. It relies on the Thematic Approach in studying and analyzing texts, making use of both tools of description and analysis. The research revealed a number of results, namely: The emergence of the estranged oneself in the collection, and its connection to a major theme: (search for reassurance), revealed by three manifestations: (spiritual estrangement, temporal estrangement, and spatial estrangement), and the losing oneself was also present. Through a major theme, which is: (loss), represented in two aspects: loss of hope and loss of love. The rebellious oneself appeared in the collection through the theme of resistance, which was represented in two aspects: proof of existence, and the poet’s call for independence in his personality.