Entangling Sensing: Arts-Based Methods for Teaching the Environmental Humanities and Critical Posthumanities

Contemporary planetary crises have prompted a new wave of environmental and posthumanities scholarship, aiming to address our planet and its concerns as entangled and more-than-human. How might the radical propositions of the environmental and posthumanities be taught? This article argues that arts-based methods – characterised by sensation, open-endedness, interdisciplinarity, experimentalism and situatedness – offer generative approaches for embodied and embedded learning. Through three case studies, the article elaborates different arts-based approaches that the author has found especially generative when teaching the posthumanities.

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Publication Details

Journal
Lagoonscapes
Published
2025-12-18
DOI
https://doi.org/10.30687/lgsp/2785-2709/2025/02/002
Primary Topic
Posthumanist Ethics and Activism
Type
article
Field-Weighted Citation Impact
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article

Entangling Sensing: Arts-Based Methods for Teaching the Environmental Humanities and Critical Posthumanities

Siobhan Leddy
Lagoonscapes
Posthumanist Ethics and Activism
article

Entangling Sensing: Arts-Based Methods for Teaching the Environmental Humanities and Critical Posthumanities

Siobhan Leddy
article en

Abstract

Contemporary planetary crises have prompted a new wave of environmental and posthumanities scholarship, aiming to address our planet and its concerns as entangled and more-than-human. How might the radical propositions of the environmental and posthumanities be taught? This article argues that arts-based methods – characterised by sensation, open-endedness, interdisciplinarity, experimentalism and situatedness – offer generative approaches for embodied and embedded learning. Through three case studies, the article elaborates different arts-based approaches that the author has found especially generative when teaching the posthumanities.

Lagoonscapes(2)
Linköping University (SE)
Openalex Percentile: Top 53%
Posthumanist Ethics and Activism
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