Chinese New Zealander Transnational Movements: Time, Space, and Identity in Renee Liang’s <i>Under the Same Moon</i>

Abstract This article offers a critical text and performance-based analysis of Under the Same Moon, an experimental work by Chinese New Zealander playwright, Renee Liang. In this unique decolonizing solo performance, a single female performer embodies the diverse perspectives of a transnational family, revealing the fractures that separate its members but also the ties that bind them. This article seeks to explore the enduring mobility and sustenance of transnational Chinese New Zealander women’s voices.