Timur’s blue-and-white: Yuan and Ming porcelain in Central Asia

While Chinese porcelain was widely exported by sea from the ninth century onward, its presence in Central Asia remains rare. Archaeological finds from Samarkand and Herat - primarily high-quality Yuan and early Ming blue-and-white porcelains and Longquan celadons - indicate selective overland transmission along Eurasian routes. Historical sources, including the Mingshilu and Mingshi , record porcelain being presented as diplomatic gifts from Ming embassies to Timurid courts, often exchanged for prised Central Asian horses. Samarkand provides the most significant evidence, with Jingdezhen bowls and flasks of imperial quality, alongside Yuan shards decorated with cobalt-blue motifs. Their designs, such as lotus panels and floral scrolls, were absorbed into Timurid ceramic production. The paucity of these high-quality finds reflects the logistical limits of caravan trade and the prestige-oriented role of porcelain inland. Its patterns influenced local artistic repertoires, leaving a tangible legacy in Timurid ceramics.

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Publication Details

Journal
Journal of International Ceramic Studies
Published
2025-12-01
DOI
https://doi.org/10.1016/j.joics.2025.100022
Primary Topic
Eurasian Exchange Networks
Type
article
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article

Timur’s blue-and-white: Yuan and Ming porcelain in Central Asia

Valentina Bruccoleri
Journal of International Ceramic Studies
Eurasian Exchange Networks
article

Timur’s blue-and-white: Yuan and Ming porcelain in Central Asia

Valentina Bruccoleri
article en

Abstract

While Chinese porcelain was widely exported by sea from the ninth century onward, its presence in Central Asia remains rare. Archaeological finds from Samarkand and Herat - primarily high-quality Yuan and early Ming blue-and-white porcelains and Longquan celadons - indicate selective overland transmission along Eurasian routes. Historical sources, including the Mingshilu and Mingshi , record porcelain being presented as diplomatic gifts from Ming embassies to Timurid courts, often exchanged for prised Central Asian horses. Samarkand provides the most significant evidence, with Jingdezhen bowls and flasks of imperial quality, alongside Yuan shards decorated with cobalt-blue motifs. Their designs, such as lotus panels and floral scrolls, were absorbed into Timurid ceramic production. The paucity of these high-quality finds reflects the logistical limits of caravan trade and the prestige-oriented role of porcelain inland. Its patterns influenced local artistic repertoires, leaving a tangible legacy in Timurid ceramics.

Journal of International Ceramic Studies
Openalex Percentile: Top 57%
Eurasian Exchange Networks
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Timur’s blue-and-white: Yuan and Ming porcelain in Central Asia — Valentina Bruccoleri · Journal of International Ceramic Studies (2025) | TGRS Research Map | TGRS