Who’s Afraid of Little Old Me? The Madness and Salvation of a Showgirl

Abstract Who’s Taylor Swift, anyway? In this article, the author will discuss her two most recent albums, The Tortured Poets Department (2024) and The Life of a Showgirl (2025), through the lens of women’s musical and literary madness. This article argues that The Tortured Poets Department was, in essence, a mad scene akin to that of Lucia or Ophelia, and The Life of a Showgirl is what happens when a heroine returns to sanity—if she can be allowed to return at all.

Authors

Publication Details

Journal
Public humanities.
Published
2025-01-01
DOI
https://doi.org/10.1017/pub.2025.10086
Primary Topic
Theater, Performance, and Music History
Type
article
Field-Weighted Citation Impact
0.00
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article

Who’s Afraid of Little Old Me? The Madness and Salvation of a Showgirl

Alexandra Doyle
Public humanities.
Theater, Performance, and Music History
article

Who’s Afraid of Little Old Me? The Madness and Salvation of a Showgirl

Alexandra Doyle
article en

Abstract

Abstract Who’s Taylor Swift, anyway? In this article, the author will discuss her two most recent albums, The Tortured Poets Department (2024) and The Life of a Showgirl (2025), through the lens of women’s musical and literary madness. This article argues that The Tortured Poets Department was, in essence, a mad scene akin to that of Lucia or Ophelia, and The Life of a Showgirl is what happens when a heroine returns to sanity—if she can be allowed to return at all.

Public humanities.Vol. 1
Openalex Percentile: Top 62%
Theater, Performance, and Music History
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Who’s Afraid of Little Old Me? The Madness and Salvation of a Showgirl — Alexandra Doyle · Public humanities. (2025) | TGRS Research Map | TGRS