Intimacy at Scale: Taylor Swift’s Showgirl Era

Abstract Taylor Swift’s 12th studio album, The Life of a Showgirl , marks a pivotal shift in her branding and marketing from selling intimate relatability to selling spectacle. Once defined by her relatability and diaristic storytelling, Swift now embraces spectacle, excess, and self-mythologizing. For her most recent album, controversy over its marketing and content is polarizing, where some seeing her as unrelatable. On the album, Swift embraces strategies rooted in exclusivity, luxury, and provocative, explicit themes. Swift will not get any more relatable as she ascends to superstardom, and the question remains: Can an artist who rose to power by being relatable and intimate with fans still thrive when that very success makes them increasingly unreachable?

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Publication Details

Journal
Public humanities.
Published
2025-01-01
DOI
https://doi.org/10.1017/pub.2025.10089
Primary Topic
Gender, Feminism, and Media
Type
article
Field-Weighted Citation Impact
0.00
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article

Intimacy at Scale: Taylor Swift’s Showgirl Era

Judith Adler, Michelle Croteau, Kira Rao-Poolla
Public humanities.
Gender, Feminism, and Media
article

Intimacy at Scale: Taylor Swift’s Showgirl Era

Judith Adler, Michelle Croteau, Kira Rao-Poolla
article en

Abstract

Abstract Taylor Swift’s 12th studio album, The Life of a Showgirl , marks a pivotal shift in her branding and marketing from selling intimate relatability to selling spectacle. Once defined by her relatability and diaristic storytelling, Swift now embraces spectacle, excess, and self-mythologizing. For her most recent album, controversy over its marketing and content is polarizing, where some seeing her as unrelatable. On the album, Swift embraces strategies rooted in exclusivity, luxury, and provocative, explicit themes. Swift will not get any more relatable as she ascends to superstardom, and the question remains: Can an artist who rose to power by being relatable and intimate with fans still thrive when that very success makes them increasingly unreachable?

Public humanities.Vol. 1
University of California, Berkeley (US)
Openalex Percentile: Top 52%
Gender, Feminism, and Media
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