Glitch | Stitch: Sensing survival in Ziba Rajabi's <i>Glitched Home</i>

Ziba Rajabi's femme interiority in Glitched Home is made of 25,000 canvas-like pixels. Her creating these pixels is a way of feeling through a particular memory of screened proximity and a mediated sense of familial relations. The pixels, then, are another arrangement of archiving, where archiving, in Rajabi's practice, is a way of layering intimacy as a felt dimension. The building out/up/of these intimacies creates the interplay of a sensed dimension; a dimension understood as not only spatial, but psychological, emotional, temporal, all at once.

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Publication Details

Journal
Environment and Planning D Society and Space
Published
2025-12-11
DOI
https://doi.org/10.1177/02637758251403438
Primary Topic
Postcolonial and Cultural Literary Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Glitch | Stitch: Sensing survival in Ziba Rajabi's Glitched Home

Ava Shirazi, Monica Huerta
Environment and Planning D Society and Space
Postcolonial and Cultural Literary Studies
article

Glitch | Stitch: Sensing survival in Ziba Rajabi's Glitched Home

Ava Shirazi, Monica Huerta
article en

Abstract

Ziba Rajabi's femme interiority in Glitched Home is made of 25,000 canvas-like pixels. Her creating these pixels is a way of feeling through a particular memory of screened proximity and a mediated sense of familial relations. The pixels, then, are another arrangement of archiving, where archiving, in Rajabi's practice, is a way of layering intimacy as a felt dimension. The building out/up/of these intimacies creates the interplay of a sensed dimension; a dimension understood as not only spatial, but psychological, emotional, temporal, all at once.

Environment and Planning D Society and SpaceVol. 44(1)
Haverford College (US), Princeton University (US)
Openalex Percentile: Top 61%
Postcolonial and Cultural Literary Studies
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