Of Bits and Pieces

This article explores the gender and species dynamics depicted in a medieval aphorism from the Mesnagier de Paris (ca. 1392–1405), which compares the qualities of a good horse to those of a maiden. The aphorism lists characteristics such as a handsome mane, a beautiful chest, fine-looking loins, and large buttocks. Although presented as common knowledge, the grammatical structure of the list raises questions about whether the maiden belongs to the human or animal realm. This study traces the origins and variations of this theme by examining the compilation of desirable horse qualities, the fragmented depiction of animals, and the sexualized association between women and horses. The aim is to uncover an ontological shift that occurred during the late Middle Ages, wherein a fragmented description of the female body rendered her available for both literal and metaphorical consumption, gradually replacing the horse as the ultimate symbol of what can be ridden.

Authors

Publication Details

Journal
Yearbook of Women’s History / Jaarboek voor Vrouwengeschiedenis
Published
2024-12-01
DOI
https://doi.org/10.5117/9789048565283_girault
Primary Topic
Medieval Literature and History
Type
article
Field-Weighted Citation Impact
0.00
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article

Of Bits and Pieces

Clémentine Girault
Yearbook of Women’s History / Jaarboek voor Vrouwengeschiedenis
Medieval Literature and History
article

Of Bits and Pieces

Clémentine Girault
article en

Abstract

This article explores the gender and species dynamics depicted in a medieval aphorism from the Mesnagier de Paris (ca. 1392–1405), which compares the qualities of a good horse to those of a maiden. The aphorism lists characteristics such as a handsome mane, a beautiful chest, fine-looking loins, and large buttocks. Although presented as common knowledge, the grammatical structure of the list raises questions about whether the maiden belongs to the human or animal realm. This study traces the origins and variations of this theme by examining the compilation of desirable horse qualities, the fragmented depiction of animals, and the sexualized association between women and horses. The aim is to uncover an ontological shift that occurred during the late Middle Ages, wherein a fragmented description of the female body rendered her available for both literal and metaphorical consumption, gradually replacing the horse as the ultimate symbol of what can be ridden.

Yearbook of Women’s History / Jaarboek voor VrouwengeschiedenisVol. 42(2024)
Openalex Percentile: Top 57%
Medieval Literature and History
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Of Bits and Pieces — Clémentine Girault · Yearbook of Women’s History / Jaarboek voor Vrouwengeschiedenis (2024) | TGRS Research Map | TGRS