Feminist Observation: The Case of <i>Un processo per stupro</i> ( <i>A Trial for Rape</i> , 1979)

Abstract This article offers an account of the landmark work Un processo per stupro (A Trial for Rape, Italy, 1979), an observational documentary of a trial for gang rape made collectively by Maria Grazia Belmonti, Anna Carini, Rony Daopoulo, Paola De Martiis, Annabella Miscuglio, and Loredana Rotondo. Shot on video in the town of Latina, just outside Rome, in 1978, it was broadcast nationally twice on Italian television station RAI 2 in 1979, reaching some twelve million people. This article probes how and why the filmmakers contested sexual violence and its treatment within the legal system by adopting the observational mode, a form of filmmaking that departs significantly from the subjectivity, intimacy, and participation that characterize many feminist nonfiction practices of the 1970s.

Authors

Publication Details

Journal
Camera Obscura Feminism Culture and Media Studies
Published
2025-12-01
DOI
https://doi.org/10.1215/02705346-11959160
Primary Topic
Italian Fascism and Post-war Society
Type
article
Field-Weighted Citation Impact
0.00
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article

Feminist Observation: The Case of Un processo per stupro ( A Trial for Rape , 1979)

Erika Balsom
Camera Obscura Feminism Culture and Media Studies
Italian Fascism and Post-war Society
article

Feminist Observation: The Case of Un processo per stupro ( A Trial for Rape , 1979)

Erika Balsom
article en

Abstract

Abstract This article offers an account of the landmark work Un processo per stupro (A Trial for Rape, Italy, 1979), an observational documentary of a trial for gang rape made collectively by Maria Grazia Belmonti, Anna Carini, Rony Daopoulo, Paola De Martiis, Annabella Miscuglio, and Loredana Rotondo. Shot on video in the town of Latina, just outside Rome, in 1978, it was broadcast nationally twice on Italian television station RAI 2 in 1979, reaching some twelve million people. This article probes how and why the filmmakers contested sexual violence and its treatment within the legal system by adopting the observational mode, a form of filmmaking that departs significantly from the subjectivity, intimacy, and participation that characterize many feminist nonfiction practices of the 1970s.

Camera Obscura Feminism Culture and Media StudiesVol. 40(3)
Openalex Percentile: Top 51%
Italian Fascism and Post-war Society
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