‘Dùisg thus’ às do chodal’ [‘Wake up from your sleep’]: Catrìona nighean Mhic Aonghais, a fresh voice from nineteenth-century Greenock

Catrona nighean Mhic Aonghais was a Mull-born poet living in Greenock in the later decades of the nineteenth century.No fewer than nine of her Gaelic compositions were published in the contemporary press between 1884 and 1895 but, despite this relatively sizeable corpus of verse, she has received no scholarly recognition to date.This article offers insights into the poet's life based on what can be gleaned from this extant corpus and situates her within Greenock's contemporary Gaelicspeaking community.It examines the content of her songs, with their strongly anti-landlord focus, and highlights some of their distinctive features, including the way in which the poet used her verse to forge connections with the wider Gaelic poetic community.In retrieving an overlooked female voice, the article highlights the importance of the press in offering a platform to women when other avenues for disseminating their verse in this period, such as concert platforms, were limited.Furthermore, it underlines the importance of Gaelic sources, such as these songs, for the historiography of the Highlands and Gaelic communities in the Lowlands.

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Publication Details

Journal
Aiste.
Published
2025-12-08
DOI
https://doi.org/10.36399/aiste.vol8.2025.372
Primary Topic
Sound Studies and Aurality
Type
article
Field-Weighted Citation Impact
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article

‘Dùisg thus’ às do chodal’ [‘Wake up from your sleep’]: Catrìona nighean Mhic Aonghais, a fresh voice from nineteenth-century Greenock

Sharon A. Kidd
Aiste.
Sound Studies and Aurality
article

‘Dùisg thus’ às do chodal’ [‘Wake up from your sleep’]: Catrìona nighean Mhic Aonghais, a fresh voice from nineteenth-century Greenock

Sharon A. Kidd
article en

Abstract

Catrona nighean Mhic Aonghais was a Mull-born poet living in Greenock in the later decades of the nineteenth century.No fewer than nine of her Gaelic compositions were published in the contemporary press between 1884 and 1895 but, despite this relatively sizeable corpus of verse, she has received no scholarly recognition to date.This article offers insights into the poet's life based on what can be gleaned from this extant corpus and situates her within Greenock's contemporary Gaelicspeaking community.It examines the content of her songs, with their strongly anti-landlord focus, and highlights some of their distinctive features, including the way in which the poet used her verse to forge connections with the wider Gaelic poetic community.In retrieving an overlooked female voice, the article highlights the importance of the press in offering a platform to women when other avenues for disseminating their verse in this period, such as concert platforms, were limited.Furthermore, it underlines the importance of Gaelic sources, such as these songs, for the historiography of the Highlands and Gaelic communities in the Lowlands.

Aiste.Vol. 8
University of Glasgow (GB)
Openalex Percentile: Top 58%
Sound Studies and Aurality
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