Animators Against War (AAW): aesthetics and message

This article analyses the aesthetics, narrative structure, and social function of short-form protest animated films created by the collective Animators Against War (AAW) in response to Russia’s full-scale invasion of Ukraine in 2022. Collaged combinations of photographs, graphics, and sound build poignant images in which meaning emerges at the intersection of documentary and metaphor. Particular attention is paid to an episode dedicated to political prisoners, which takes the form of a documentary short, combining realistic testimonies with a subjective, emotional reconstruction of reality. The article highlights the potential of animation as a medium of emotional truth, capable of transcending the boundaries of traditional documentary by visualising experience, trauma, and memory. The presence of the analysed forms in the landscape of contemporary social media shows how microformats and short video forms draw from both the logic of digital communication and the tradition of attraction cinema and propaganda. AAW animated films are interpreted here as acts of resistance and testimonies of war that use available digital tools to shape an alternative political message, document reality, and foster social mobilisation.

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Publication Details

Journal
Studies in Russian and Soviet Cinema
Published
2025-12-07
DOI
https://doi.org/10.1080/17503132.2025.2598518
Primary Topic
Memory, Trauma, and Commemoration
Type
article
Field-Weighted Citation Impact
0.00
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article

Animators Against War (AAW): aesthetics and message

Elena Kurant
Studies in Russian and Soviet Cinema
Memory, Trauma, and Commemoration
article

Animators Against War (AAW): aesthetics and message

Elena Kurant
article en

Abstract

This article analyses the aesthetics, narrative structure, and social function of short-form protest animated films created by the collective Animators Against War (AAW) in response to Russia’s full-scale invasion of Ukraine in 2022. Collaged combinations of photographs, graphics, and sound build poignant images in which meaning emerges at the intersection of documentary and metaphor. Particular attention is paid to an episode dedicated to political prisoners, which takes the form of a documentary short, combining realistic testimonies with a subjective, emotional reconstruction of reality. The article highlights the potential of animation as a medium of emotional truth, capable of transcending the boundaries of traditional documentary by visualising experience, trauma, and memory. The presence of the analysed forms in the landscape of contemporary social media shows how microformats and short video forms draw from both the logic of digital communication and the tradition of attraction cinema and propaganda. AAW animated films are interpreted here as acts of resistance and testimonies of war that use available digital tools to shape an alternative political message, document reality, and foster social mobilisation.

Studies in Russian and Soviet CinemaVol. 20(1)
Jagiellonian University (PL)
Openalex Percentile: Top 56%
Memory, Trauma, and Commemoration
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