<scp>PISA</scp> 2022 Creative Thinking: What It Is, What It Is Not, and What Next?

ABSTRACT The 2022 cycle of the Programme for International Student Assessment (PISA) included an assessment of creative thinking, representing the most comprehensive international large‐scale assessment of creative thinking to date. In this paper, we briefly present the objectives of PISA and how these goals have shaped its overall design and implementation, with important methodological, analytical, and interpretive implications for researchers. We then provide an overview of the conceptual and methodological foundations of the PISA creative thinking assessment and discuss how these were shaped within the broader context and constraints of PISA, particularly the feasibility of implementing scoring methods for open constructed responses at scale and maximizing cross‐cultural comparability of the results. We present in detail our approach to scoring the creative thinking tasks in PISA given these complex trade‐offs and discuss the implications of this approach for interpreting the PISA creative thinking results and conducting further analyses of the data. We also provide some reflections on future work for the OECD and beyond for assessing creative thinking at scale.

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Publication Details

Journal
The Journal of Creative Behavior
Published
2025-12-01
DOI
https://doi.org/10.1002/jocb.70068
Primary Topic
Creativity in Education and Neuroscience
Type
article
Field-Weighted Citation Impact
0.00
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article

PISA 2022 Creative Thinking: What It Is, What It Is Not, and What Next?

Natalie Foster, Mario Piacentíni
The Journal of Creative Behavior
Creativity in Education and Neuroscience
article

PISA 2022 Creative Thinking: What It Is, What It Is Not, and What Next?

Natalie Foster, Mario Piacentíni
article en

Abstract

ABSTRACT The 2022 cycle of the Programme for International Student Assessment (PISA) included an assessment of creative thinking, representing the most comprehensive international large‐scale assessment of creative thinking to date. In this paper, we briefly present the objectives of PISA and how these goals have shaped its overall design and implementation, with important methodological, analytical, and interpretive implications for researchers. We then provide an overview of the conceptual and methodological foundations of the PISA creative thinking assessment and discuss how these were shaped within the broader context and constraints of PISA, particularly the feasibility of implementing scoring methods for open constructed responses at scale and maximizing cross‐cultural comparability of the results. We present in detail our approach to scoring the creative thinking tasks in PISA given these complex trade‐offs and discuss the implications of this approach for interpreting the PISA creative thinking results and conducting further analyses of the data. We also provide some reflections on future work for the OECD and beyond for assessing creative thinking at scale.

The Journal of Creative BehaviorVol. 59(4)
Organisation de Coopération et de Développement Economiques (FR)
Openalex Percentile: Top 59%
Creativity in Education and Neuroscience
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