Dynamic Real-Time Ambisonics Order Adaptation for Immersive Networked Music Performances

Advanced remote applications such as Networked Music Performance (NMP) require solutions to guarantee immersive real-world-like interaction among users. Therefore, the adoption of spatial audio formats, such as Ambisonics, is fundamental to let the user experience an immersive acoustic scene. The accuracy of the sound scene reproduction increases with the order of the Ambisonics enconding, resulting in an improved immersivity at the cost of a greater number of audio channels, which in turn escalates both bandwidth requirements and susceptibility to network impairments (e.g., latency, jitter, and packet loss). These factors pose a significant challenge for interactive music sessions, which demand high spatial fidelity and low end-to-end delay. We propose a real-time adaptive higher-order Ambisonics strategy that continuously monitors network throughput and dynamically scales the Ambisonics order. When available bandwidth drops below a preset threshold, the order is lowered to prevent audio dropouts; it then reverts to higher orders once conditions recover, thus balancing immersion and reliability. A MUSHRA-based evaluation indicates that this adaptive approach is promising to guarantee user experience in bandwidth-limited NMP scenarios.

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Publication Details

Published
2025-09-08
DOI
https://doi.org/10.23919/eusipco63237.2025.11226285
Primary Topic
Music Technology and Sound Studies
Type
article
Field-Weighted Citation Impact
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article

Dynamic Real-Time Ambisonics Order Adaptation for Immersive Networked Music Performances

Claudia Rinaldi, Carlo Centofanti, Fabio Antonacci, Mirco Pezzoli et al.
Music Technology and Sound Studies
article

Dynamic Real-Time Ambisonics Order Adaptation for Immersive Networked Music Performances

Claudia Rinaldi, Carlo Centofanti, Fabio Antonacci, Mirco Pezzoli, Alberto Bernardini, Paolo Ostan
article en

Abstract

Advanced remote applications such as Networked Music Performance (NMP) require solutions to guarantee immersive real-world-like interaction among users. Therefore, the adoption of spatial audio formats, such as Ambisonics, is fundamental to let the user experience an immersive acoustic scene. The accuracy of the sound scene reproduction increases with the order of the Ambisonics enconding, resulting in an improved immersivity at the cost of a greater number of audio channels, which in turn escalates both bandwidth requirements and susceptibility to network impairments (e.g., latency, jitter, and packet loss). These factors pose a significant challenge for interactive music sessions, which demand high spatial fidelity and low end-to-end delay. We propose a real-time adaptive higher-order Ambisonics strategy that continuously monitors network throughput and dynamically scales the Ambisonics order. When available bandwidth drops below a preset threshold, the order is lowered to prevent audio dropouts; it then reverts to higher orders once conditions recover, thus balancing immersion and reliability. A MUSHRA-based evaluation indicates that this adaptive approach is promising to guarantee user experience in bandwidth-limited NMP scenarios.

University of L'Aquila (IT), Consorzio Nazionale Interuniversitario per le Telecomunicazioni (IT), Politecnico di Milano (IT)
Openalex Percentile: Top 60%
Music Technology and Sound Studies
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