Symbolic Metaphors of Film Epidemic Narratives: A Comparative Study of Chinese and Foreign Epidemic Disaster Films

Epidemic disaster films take epidemics as the core of their narratives and involve a symbolic system with multiple metaphorical meanings. This study focuses on analysing 45 epidemic disaster films from China, Europe, Japan, South Korea, and the US. It is found that the medical symbols in Chinese and foreign epidemic disaster films that best characterise the epidemic narrative have referential meanings related to three main aspects, namely the occurrence of epidemics, the treatment of epidemics, and the public health system. Their direct and derived meanings provide cognitive information about mass infectious epidemics and methods of treatment and prevention. By integrating medical and non-medical symbols in the films, social and cultural symbols rich in metaphorical meanings are formed. “Tracing the origin of disease” involves a cultural metaphor that goes beyond medicine; “Responding to the crisis” involves a political metaphor of quarantine, rescue, and destruction; and “Rescue from the disaster” involves the human nature related metaphor of dilemma. Comparatively, the medical symbols and metaphors of epidemics in Chinese and foreign epidemic disaster films have more similarities than differences, while the socio-cultural symbols and their metaphors have more differences than similarities.

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Publication Details

Journal
CINEJ Cinema Journal
Published
2025-12-03
DOI
https://doi.org/10.5195/cinej.2025.764
Primary Topic
Language, Metaphor, and Cognition
Type
article
Field-Weighted Citation Impact
0.00

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article

Symbolic Metaphors of Film Epidemic Narratives: A Comparative Study of Chinese and Foreign Epidemic Disaster Films

Mei‐chun Cheung, Yankun Zhu
CINEJ Cinema Journal
Language, Metaphor, and Cognition
article

Symbolic Metaphors of Film Epidemic Narratives: A Comparative Study of Chinese and Foreign Epidemic Disaster Films

Mei‐chun Cheung, Yankun Zhu
article en

Abstract

Epidemic disaster films take epidemics as the core of their narratives and involve a symbolic system with multiple metaphorical meanings. This study focuses on analysing 45 epidemic disaster films from China, Europe, Japan, South Korea, and the US. It is found that the medical symbols in Chinese and foreign epidemic disaster films that best characterise the epidemic narrative have referential meanings related to three main aspects, namely the occurrence of epidemics, the treatment of epidemics, and the public health system. Their direct and derived meanings provide cognitive information about mass infectious epidemics and methods of treatment and prevention. By integrating medical and non-medical symbols in the films, social and cultural symbols rich in metaphorical meanings are formed. “Tracing the origin of disease” involves a cultural metaphor that goes beyond medicine; “Responding to the crisis” involves a political metaphor of quarantine, rescue, and destruction; and “Rescue from the disaster” involves the human nature related metaphor of dilemma. Comparatively, the medical symbols and metaphors of epidemics in Chinese and foreign epidemic disaster films have more similarities than differences, while the socio-cultural symbols and their metaphors have more differences than similarities.

CINEJ Cinema JournalVol. 13(2)
Nanjing University of Information Science and Technology (CN)
Nanjing University of Information Science and Technology, Nanjing University
Openalex Percentile: Top 59%
Language, Metaphor, and Cognition
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Symbolic Metaphors of Film Epidemic Narratives: A Comparative Study of Chinese and Foreign Epidemic Disaster Films — Mei‐chun Cheung, Yankun Zhu · CINEJ Cinema Journal (2025) | TGRS Research Map | TGRS