Is She Still There?: Child Sex Trafficking, Traumatic Memory and Resilience in Mischa Marcus’ Film I Am Still Here

This paper aims at contextualizing child sex trafficking, trauma, and resilience from the atrocities of sexual violencebased on the reading of Mischa Marcus’ film I Am Still Here. The analysis makes its way from violence, trauma, andPTSD to resilience through the cinematic representation of sexual abuse. The film portrays the experiences of a childwho is trafficked and the subsequent impact on her psychological state, using non-linear narrative techniques andsensory triggers to reflect the fragmented nature of traumatic memory. This study also includes a conversation withthe director, which offers new insights into her directorial approach to depicting trauma and recovery, emphasizingrealism without exploitation. Through consulting the aspects of the camera and theories on traumatic memory, PTSD,and resilience, the paper analyzes the fragmented nature of traumatic experiences and how they subvert commonmedia tropes. Further, it also discusses the importance of supportive relationships in recovery, highlighting how thefilm depicts the crucial role of emotional support in healing from the trauma of sexual violence. Thus, this study isfocused on a survivor of child sex trafficking, delving into a deeper understanding of child and adult resilientbehaviors in dealing with trauma.

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Publication Details

Journal
CINEJ Cinema Journal
Published
2025-12-03
DOI
https://doi.org/10.5195/cinej.2025.730
Primary Topic
Cinema and Media Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Is She Still There?: Child Sex Trafficking, Traumatic Memory and Resilience in Mischa Marcus’ Film I Am Still Here

Sheetal Kumari
CINEJ Cinema Journal
Cinema and Media Studies
article

Is She Still There?: Child Sex Trafficking, Traumatic Memory and Resilience in Mischa Marcus’ Film I Am Still Here

Sheetal Kumari
article en

Abstract

This paper aims at contextualizing child sex trafficking, trauma, and resilience from the atrocities of sexual violencebased on the reading of Mischa Marcus’ film I Am Still Here. The analysis makes its way from violence, trauma, andPTSD to resilience through the cinematic representation of sexual abuse. The film portrays the experiences of a childwho is trafficked and the subsequent impact on her psychological state, using non-linear narrative techniques andsensory triggers to reflect the fragmented nature of traumatic memory. This study also includes a conversation withthe director, which offers new insights into her directorial approach to depicting trauma and recovery, emphasizingrealism without exploitation. Through consulting the aspects of the camera and theories on traumatic memory, PTSD,and resilience, the paper analyzes the fragmented nature of traumatic experiences and how they subvert commonmedia tropes. Further, it also discusses the importance of supportive relationships in recovery, highlighting how thefilm depicts the crucial role of emotional support in healing from the trauma of sexual violence. Thus, this study isfocused on a survivor of child sex trafficking, delving into a deeper understanding of child and adult resilientbehaviors in dealing with trauma.

CINEJ Cinema JournalVol. 13(2)
Indian Institute of Technology Roorkee (IN)
Openalex Percentile: Top 55%
Cinema and Media Studies
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