Joyland: A Cinematic Representation of Pakistani Patriarchal Joint Family

Joyland, a 2022 Pakistani film that gained popularity worldwide but got banned in Pakistan, depicted the problems of patriarchy, suppression of individuals’ self-identity, intervention in sexual and reproduction liberty of married couples, taboos associated with women employment, household participation, and sexual pleasure. This study adopts multimodal discourse analysis which critically discusses the patriarchal influence of Pakistani men in a joint family system, by purposefully selected scenes of the film that showcase the characters’ depiction of being dominated by the ideology of a patriarchal mindset. It further analyzes the role of a man, the eldest in the family, who decides everyone’s fate, irrespective of gender, financial status, or sibling positions in the family. This study also sheds light on how the sexual lives of individuals get affected through joint family pressures, which results in disoriented sexual relationships and indecisive preferences between partners.

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Publication Details

Journal
CINEJ Cinema Journal
Published
2025-12-03
DOI
https://doi.org/10.5195/cinej.2025.709
Primary Topic
South Asian Cinema and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Joyland: A Cinematic Representation of Pakistani Patriarchal Joint Family

Abul Hassan, Syed Atef Amjad Ali, Rizwan Bashir Baloch, Ali Hassan
CINEJ Cinema Journal
South Asian Cinema and Culture
article

Joyland: A Cinematic Representation of Pakistani Patriarchal Joint Family

Abul Hassan, Syed Atef Amjad Ali, Rizwan Bashir Baloch, Ali Hassan
article en

Abstract

Joyland, a 2022 Pakistani film that gained popularity worldwide but got banned in Pakistan, depicted the problems of patriarchy, suppression of individuals’ self-identity, intervention in sexual and reproduction liberty of married couples, taboos associated with women employment, household participation, and sexual pleasure. This study adopts multimodal discourse analysis which critically discusses the patriarchal influence of Pakistani men in a joint family system, by purposefully selected scenes of the film that showcase the characters’ depiction of being dominated by the ideology of a patriarchal mindset. It further analyzes the role of a man, the eldest in the family, who decides everyone’s fate, irrespective of gender, financial status, or sibling positions in the family. This study also sheds light on how the sexual lives of individuals get affected through joint family pressures, which results in disoriented sexual relationships and indecisive preferences between partners.

CINEJ Cinema JournalVol. 13(2)
University of Lahore (PK)
Openalex Percentile: Top 65%
South Asian Cinema and Culture
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Joyland: A Cinematic Representation of Pakistani Patriarchal Joint Family — Abul Hassan, Syed Atef Amjad Ali, et al. · CINEJ Cinema Journal (2025) | TGRS Research Map | TGRS