Peasants and Monsters in Third-Century Gaul. Rethinking the Jupiter Columns

In his panegyric for Emperor Maximian, delivered on April 21, 289, the Gallic rhetor Mamertinus draws a significant parallel between the Giants defeated by Jupiter and Hercules, and the Bagaudae, rebellious peasants of Gaul subdued by the imperial armies led by Maximian Herculius. Although Mamertinus belonged to the wealthy and educated urban elite, who typically regarded peasants with disinterest or contempt, it is plausible that his imagery was inspired not only by classical myth but also by monuments distinctive to Gaul – namely, the Jupiter columns. These columns, depicting a horseman trampling an anguiped, likely derived from local religious motifs prevalent among the less Romanized inhabitants of the countryside. Despite Mamertinus’ strongly negative depiction of the Bagaudae, his description hints at an interaction between rural traditions and the literary practices of the Romanized urban elite, suggesting a deeper cultural exchange than sources usually reveal.

Authors

Institutions

Publication Details

Journal
Res Historica
Published
2025-11-28
DOI
https://doi.org/10.17951/rh.2025.60.93-118
Primary Topic
Classical Antiquity Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Peasants and Monsters in Third-Century Gaul. Rethinking the Jupiter Columns

Carlo Ferrari
Res Historica
Classical Antiquity Studies
article

Peasants and Monsters in Third-Century Gaul. Rethinking the Jupiter Columns

Carlo Ferrari
article en

Abstract

In his panegyric for Emperor Maximian, delivered on April 21, 289, the Gallic rhetor Mamertinus draws a significant parallel between the Giants defeated by Jupiter and Hercules, and the Bagaudae, rebellious peasants of Gaul subdued by the imperial armies led by Maximian Herculius. Although Mamertinus belonged to the wealthy and educated urban elite, who typically regarded peasants with disinterest or contempt, it is plausible that his imagery was inspired not only by classical myth but also by monuments distinctive to Gaul – namely, the Jupiter columns. These columns, depicting a horseman trampling an anguiped, likely derived from local religious motifs prevalent among the less Romanized inhabitants of the countryside. Despite Mamertinus’ strongly negative depiction of the Bagaudae, his description hints at an interaction between rural traditions and the literary practices of the Romanized urban elite, suggesting a deeper cultural exchange than sources usually reveal.

Res HistoricaVol. 60
University of Parma (IT)
Openalex Percentile: Top 59%
Classical Antiquity Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.