Shame, (In)visibility, and Ill Feelings

Alice Hattrick's Ill Feelings (2021) is a "genre-bending" long-form essay; its title's dual meaning underlines the entanglement of symptoms and shame that occur when illness is seen as having no explanation. This paper brings Ill Feelings into dialogue with a spoken account of unexplained illness to illuminate the distinct ways in which it shapes both lives and texts. The shame that occurs for those living with "ill feelings" is characterized by a sense of (in)visibility: by feeling simultaneously seen and unseen. I investigate how diagnostic labels employed in these contexts render suffering and sufferers (in)visible, and illuminate how fusing genres offers Hattrick a particular form of (controlled) visibility. Finally, I consider the implications of this analysis for our broader understanding of shame, and for our approach to literary life writing.

Authors

Publication Details

Journal
Literature and medicine
Published
2025-03-01
DOI
https://doi.org/10.1353/lm.2025.a975548
Primary Topic
Emotions and Moral Behavior
Type
article
Field-Weighted Citation Impact
0.00
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article

Shame, (In)visibility, and Ill Feelings

Katharine Cheston
Literature and medicine
Emotions and Moral Behavior
article

Shame, (In)visibility, and Ill Feelings

Katharine Cheston
article en

Abstract

Alice Hattrick's Ill Feelings (2021) is a "genre-bending" long-form essay; its title's dual meaning underlines the entanglement of symptoms and shame that occur when illness is seen as having no explanation. This paper brings Ill Feelings into dialogue with a spoken account of unexplained illness to illuminate the distinct ways in which it shapes both lives and texts. The shame that occurs for those living with "ill feelings" is characterized by a sense of (in)visibility: by feeling simultaneously seen and unseen. I investigate how diagnostic labels employed in these contexts render suffering and sufferers (in)visible, and illuminate how fusing genres offers Hattrick a particular form of (controlled) visibility. Finally, I consider the implications of this analysis for our broader understanding of shame, and for our approach to literary life writing.

Literature and medicineVol. 43(1)
Openalex Percentile: Top 57%
Emotions and Moral Behavior
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