Follow the Money

When The Builders Association began working on their Ayn Rand–inspired, technofeudalist-satirizing production of ATLAS DRUGGED (Tools for Tomorrow), the 2024 election was still years away. By the time the show premiered at NYU Skirball Center for the Performing Arts in October 2024, it was just around the corner. This dossier—comprising an interview with Richard Schechner, commentary, script excerpts, and a summary of the Builders’ mediaturgy—is a comprehensive examination of the factors that influenced the genesis of ATLAS DRUGGED, and the ludicrous “predictions” made by the sprawling, technologically advanced work that have since come true.

Authors

Publication Details

Journal
TDR/The Drama Review
Published
2025-12-01
DOI
https://doi.org/10.1017/s1054204325100993
Primary Topic
Ayn Rand and Brontë studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Follow the Money

Marianne Weems, Lawrence Shea, Kate Purdum
TDR/The Drama Review
Ayn Rand and Brontë studies
article

Follow the Money

Marianne Weems, Lawrence Shea, Kate Purdum
article en

Abstract

When The Builders Association began working on their Ayn Rand–inspired, technofeudalist-satirizing production of ATLAS DRUGGED (Tools for Tomorrow), the 2024 election was still years away. By the time the show premiered at NYU Skirball Center for the Performing Arts in October 2024, it was just around the corner. This dossier—comprising an interview with Richard Schechner, commentary, script excerpts, and a summary of the Builders’ mediaturgy—is a comprehensive examination of the factors that influenced the genesis of ATLAS DRUGGED, and the ludicrous “predictions” made by the sprawling, technologically advanced work that have since come true.

TDR/The Drama ReviewVol. 69(4)
Openalex Percentile: Top 55%
Ayn Rand and Brontë studies
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Follow the Money — Marianne Weems, Lawrence Shea, et al. · TDR/The Drama Review (2025) | TGRS Research Map | TGRS