“Mending the Sky” or “Forging a New Sun”?—Myth Rewriting and the May Fourth Predicament of “Disenchantment” in “Rebirth of the Goddesses”

Guo Moruo’s “Rebirth of the Goddesses” is among the landmark works of modern Chinese poetry. Its myth-rewriting amounts to an act of “disenchantment” carried out amid the ruins of “enchantment”. Yet this heroic undertaking is caught in a triple dialectical vortex: in order to disenchant, it must appeal to the primordial “energies” of myth (nature, life, imagination); in order for disenchantment to be effective, it strategically “uses enchantment” (by requisitioning textual canons and ritual authority); and in the end—because of the intensity of rewriting and the depth of political and spiritual investment—it becomes itself a new layer of enchantment (a cycle of re-enchantment). This exposes the core dilemma of China’s modernity project: to build a new order on the ruins of tradition is necessarily a tragic enterprise of rupture and continuity, of disenchantment and re-enchantment at once.