Singer, Soldier, Subaltern: Competing Reappraisals of Ansina, the Afro-Uruguayan Independence Hero

This article studies how Ansina – Uruguay’s Black hero par excellence – has been represented in historical sources, art, monuments, commemorations, and literary fictions, to assess how this icon’s unstable identity encapsulates shifting frameworks of inclusion for Afro-Uruguayans. The first section considers the ways in which early official depictions of Ansina sought to include Afro-Uruguayans in the emerging nation-state whilst concomitantly depicting their subaltern position. Subsequently, the article assesses unofficial portrayals of Ansina promoted by Afro-Uruguayan activists which embolden his military role during the independence revolution and propose that he may have been a writer-payador. The third section explores the limitations of official and unofficial depictions, focusing instead on a post-2018 persona which could be labelled as a hybrid Ansina. The final section studies the novel La sombra: la novela de Ansina (2013), written by the prolific Afro-Uruguayan author Jorge Chagas, to examine a radical reimagining of this figure.

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Publication Details

Journal
Bulletin of Contemporary Hispanic Studies
Published
2025-11-28
DOI
https://doi.org/10.3828/bchs.2025.10
Primary Topic
Latin American Literature Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Singer, Soldier, Subaltern: Competing Reappraisals of Ansina, the Afro-Uruguayan Independence Hero

JORGE SARASOLA HERRERA
Bulletin of Contemporary Hispanic Studies
Latin American Literature Studies
article

Singer, Soldier, Subaltern: Competing Reappraisals of Ansina, the Afro-Uruguayan Independence Hero

JORGE SARASOLA HERRERA
article en

Abstract

This article studies how Ansina – Uruguay’s Black hero par excellence – has been represented in historical sources, art, monuments, commemorations, and literary fictions, to assess how this icon’s unstable identity encapsulates shifting frameworks of inclusion for Afro-Uruguayans. The first section considers the ways in which early official depictions of Ansina sought to include Afro-Uruguayans in the emerging nation-state whilst concomitantly depicting their subaltern position. Subsequently, the article assesses unofficial portrayals of Ansina promoted by Afro-Uruguayan activists which embolden his military role during the independence revolution and propose that he may have been a writer-payador. The third section explores the limitations of official and unofficial depictions, focusing instead on a post-2018 persona which could be labelled as a hybrid Ansina. The final section studies the novel La sombra: la novela de Ansina (2013), written by the prolific Afro-Uruguayan author Jorge Chagas, to examine a radical reimagining of this figure.

Bulletin of Contemporary Hispanic StudiesVol. 7(2)
University of Warwick (GB)
Openalex Percentile: Top 57%
Latin American Literature Studies
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