Beauty and Art as Pathways to Healing After Sexual Violence: A Comparative Study in the DRC and Canada

Conflict-related sexual violence against men in the Democratic Republic of the Congo (DRC) has profound psychological, emotional, relational, and spiritual consequences. Nevertheless, male survivors can achieve post-traumatic growth through processes that rebuild fractured identities, foster resilience, and cultivate renewed purpose. This article adopts a comparative framework by combining (a) original Canadian qualitative data—an Interpretative Phenomenological Analysis (IPA) study entitled “Silent No More: Surviving Male Rape,” conducted with survivors and trauma-informed practitioners—and (b) a phenomenologically informed synthesis of peer-reviewed studies, NGO/UN reports, and survivor testimonies from the DRC. The Canadian component focuses on the journey from victimhood to survivorship, demonstrating how breaking silence, being believed, and receiving compassionate, trauma-informed care foster meaning-making, resilience, and post-traumatic growth. The DRC component foregrounds culturally rooted pathways to recovery—especially communal and music-based practices—within conflict-affected settings. Across contexts, we identify convergent themes: beauty as a relational and embodied experience that regulates affect and restores safety; creative practices (music, visual arts, storytelling, ritual, and nature-based activity) as vehicles for dignity, connection, and purpose; and self-transcendent emotions (awe, gratitude, and wonder) that support the transition from threat to contemplation and agency. Divergences reflect cultural and structural conditions: in the DRC, healing often unfolds through community-embedded practices amid insecurity and stigma; whereas in Canada, clinical resources are more accessible, but masculine norms and isolation can impede disclosure. We argue that aesthetic and communal practices can complement clinical care and propose practice implications for arts-based, culturally grounded interventions, as well as a comparative research agenda.