Making and Defining the Creative History Classroom: An Introduction

Abstract In 2022, Catherine Feely and I ran a series of workshops to explore how creative teaching methods have entered the History classroom. Our initiative generated a series of essays that feature in the present issue of History and a later edition of the journal. Taken together, these pieces invite us to consider how the past is made and remade through creative practice in our teaching environments. In this introduction, I will explain what is meant by the term ‘creativity’ and its significance to the discipline of history (and to higher education more broadly). Interwoven throughout will be a reflection on my own experiences as a creative history practitioner. In doing so, I propose that, as a discipline, we need to centre our lived practices and experiences of teaching if we are to fully show and celebrate our identities as lecturers in the twenty‐first century.

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Publication Details

Journal
History
Published
2025-11-27
DOI
https://doi.org/10.1111/1468-229x.70066
Primary Topic
Educator Training and Historical Pedagogy
Type
article
Field-Weighted Citation Impact
0.00

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article

Making and Defining the Creative History Classroom: An Introduction

Lucinda Matthews‐Jones
History
Educator Training and Historical Pedagogy
article

Making and Defining the Creative History Classroom: An Introduction

Lucinda Matthews‐Jones
article en

Abstract

Abstract In 2022, Catherine Feely and I ran a series of workshops to explore how creative teaching methods have entered the History classroom. Our initiative generated a series of essays that feature in the present issue of History and a later edition of the journal. Taken together, these pieces invite us to consider how the past is made and remade through creative practice in our teaching environments. In this introduction, I will explain what is meant by the term ‘creativity’ and its significance to the discipline of history (and to higher education more broadly). Interwoven throughout will be a reflection on my own experiences as a creative history practitioner. In doing so, I propose that, as a discipline, we need to centre our lived practices and experiences of teaching if we are to fully show and celebrate our identities as lecturers in the twenty‐first century.

HistoryVol. 110(393)
Liverpool John Moores University (GB)
University of East Anglia
Openalex Percentile: Top 54%
Educator Training and Historical Pedagogy
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