White/Right Shakespeare

This review essay considers whiteness in Shakespeare and early modern studies through five books: David Sterling Brown’s Shakespeare’s White Others; Miles Grier’s Inkface: Othello and White Authority in the Era of Atlantic Slavery; Farah Karim-Cooper’s The Great White Bard: How to Love Shakespeare While Talking About Race; White People in Shakespeare: Essays on Race, Culture and the Elite, edited by Arthur L. Little, Jr; and Ian Smith’s Black Shakespeare: Reading and Misreading Race.

Authors

Publication Details

Journal
Early Theatre
Published
2025-11-27
DOI
https://doi.org/10.12745/et.28.2.6717
Primary Topic
Shakespeare, Adaptation, and Literary Criticism
Type
article
Field-Weighted Citation Impact
0.00
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article

White/Right Shakespeare

Kirsten N. Mendoza
Early Theatre
Shakespeare, Adaptation, and Literary Criticism
article

White/Right Shakespeare

Kirsten N. Mendoza
article en

Abstract

This review essay considers whiteness in Shakespeare and early modern studies through five books: David Sterling Brown’s Shakespeare’s White Others; Miles Grier’s Inkface: Othello and White Authority in the Era of Atlantic Slavery; Farah Karim-Cooper’s The Great White Bard: How to Love Shakespeare While Talking About Race; White People in Shakespeare: Essays on Race, Culture and the Elite, edited by Arthur L. Little, Jr; and Ian Smith’s Black Shakespeare: Reading and Misreading Race.

Early TheatreVol. 28(2)
Openalex Percentile: Top 64%
Shakespeare, Adaptation, and Literary Criticism
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White/Right Shakespeare — Kirsten N. Mendoza · Early Theatre (2025) | TGRS Research Map | TGRS