Woman-Not-Woman

Abstract During the yearly patronal festival las fiestas en honor a Santiago Apóstol ( las fiestas ), men from Loíza, Puerto Rico, transform themselves to become madwomen whose ribald and bawdy behaviour transgresses personal and religious boundaries of decency. In Christian colonial contexts, ‘decency’ is a racialised way of prescribing gender and sexual norms that posit the white Christian, heterosexual, male as ideal personhood. Known as la loca , this festal personage disrupts this idealised notion of personhood through gender transformations and engagement with repressed human and social behaviour. Historically understood figuratively and affirmatively, this article draws from ethnographic fieldwork with one loca , Carlito, and the work of philosopher and sociologist of religion Georges Bataille to examine the literal and negative aspects of this festival character. I argue that her vulgarity and gender-bending performances are a manifestation of the negative sacred, which has the potential to destabilise Christian colonial notions of personhood.

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Publication Details

Journal
Religion and Gender
Published
2025-10-14
DOI
https://doi.org/10.1163/18785417-01503002
Primary Topic
Anthropological Studies and Insights
Type
article
Field-Weighted Citation Impact
0.00
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article

Woman-Not-Woman

Alejandro Escalante
Religion and Gender
Anthropological Studies and Insights
article

Woman-Not-Woman

Alejandro Escalante
article en

Abstract

Abstract During the yearly patronal festival las fiestas en honor a Santiago Apóstol ( las fiestas ), men from Loíza, Puerto Rico, transform themselves to become madwomen whose ribald and bawdy behaviour transgresses personal and religious boundaries of decency. In Christian colonial contexts, ‘decency’ is a racialised way of prescribing gender and sexual norms that posit the white Christian, heterosexual, male as ideal personhood. Known as la loca , this festal personage disrupts this idealised notion of personhood through gender transformations and engagement with repressed human and social behaviour. Historically understood figuratively and affirmatively, this article draws from ethnographic fieldwork with one loca , Carlito, and the work of philosopher and sociologist of religion Georges Bataille to examine the literal and negative aspects of this festival character. I argue that her vulgarity and gender-bending performances are a manifestation of the negative sacred, which has the potential to destabilise Christian colonial notions of personhood.

Religion and GenderVol. 15(3)
University of Edinburgh (GB)
Openalex Percentile: Top 60%
Anthropological Studies and Insights
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