A Critical Review of the China’s Hidden Century Exhibition at the British Museum

In 2023, the British Museum held a special exhibition titled <italic>China’s Hidden Century</italic>, showcasing the diverse social landscape of China from 1796 to 1912. The exhibition deliberately shifted its perspective, abandoning the macro historical narrative in favor of a fragmented display strategy, focusing on cultural innovation amidst the corruption and darkness of the late Qing Dynasty. It avoided political controversies related to the sensitive identity of <italic>invaders</italic> but faced criticism for downplaying Britain’s colonial history. The analysis of exhibition audience comments on Weibo using the ROST Content Mining 6 software reveals that while some Chinese audiences on social media affirmed the innovative display strategy, the humiliating characteristics of the history of the late Qing Dynasty remain the most prominent audience impression.

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Publication Details

Journal
博物院.
Published
2024-10-01
DOI
https://doi.org/10.3724/2096-1715.2024.08.05.016
Primary Topic
Museums and Cultural Heritage
Type
article
Field-Weighted Citation Impact
0.00
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article

A Critical Review of the China’s Hidden Century Exhibition at the British Museum

Ze Zhu, Keyi Hu, Jiajia Liu
博物院.
Museums and Cultural Heritage
article

A Critical Review of the China’s Hidden Century Exhibition at the British Museum

Ze Zhu, Keyi Hu, Jiajia Liu
article en

Abstract

In 2023, the British Museum held a special exhibition titled <italic>China’s Hidden Century</italic>, showcasing the diverse social landscape of China from 1796 to 1912. The exhibition deliberately shifted its perspective, abandoning the macro historical narrative in favor of a fragmented display strategy, focusing on cultural innovation amidst the corruption and darkness of the late Qing Dynasty. It avoided political controversies related to the sensitive identity of <italic>invaders</italic> but faced criticism for downplaying Britain’s colonial history. The analysis of exhibition audience comments on Weibo using the ROST Content Mining 6 software reveals that while some Chinese audiences on social media affirmed the innovative display strategy, the humiliating characteristics of the history of the late Qing Dynasty remain the most prominent audience impression.

博物院.Vol. 8(5)
Openalex Percentile: Top 62%
Museums and Cultural Heritage
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