Sixteen shades of blue; the use of a digital camera as a cyanometer

During his ascent of Mont Blanc in 1787, de Saussure used a cyanometer comprising sixteen shades of blue painted on cards to quantify the color of the sky. Simultaneous measurements gave a whiter shade of 7 at Geneva but a dark blue of 1-2 from the summit. We explore the use of a digital camera as a cyanometer. It was hoped to see the variation with altitude during a short ski holiday, but this was overambitious. However, results show that, for clear skies, the percentage of blue varies little, and the perception of blueness is primarily determined by the brightness.

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Publication Details

Journal
Applied Optics
Published
2025-11-25
DOI
https://doi.org/10.1364/ao.579000
Primary Topic
Categorization, perception, and language
Type
article
Field-Weighted Citation Impact
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article

Sixteen shades of blue; the use of a digital camera as a cyanometer

C. J. Hardwick
Applied Optics
Categorization, perception, and language
article

Sixteen shades of blue; the use of a digital camera as a cyanometer

C. J. Hardwick
article en

Abstract

During his ascent of Mont Blanc in 1787, de Saussure used a cyanometer comprising sixteen shades of blue painted on cards to quantify the color of the sky. Simultaneous measurements gave a whiter shade of 7 at Geneva but a dark blue of 1-2 from the summit. We explore the use of a digital camera as a cyanometer. It was hoped to see the variation with altitude during a short ski holiday, but this was overambitious. However, results show that, for clear skies, the percentage of blue varies little, and the perception of blueness is primarily determined by the brightness.

Applied OpticsVol. 65(9)
Chesterfield College (GB)
Openalex Percentile: Top 62%
Categorization, perception, and language
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Sixteen shades of blue; the use of a digital camera as a cyanometer — C. J. Hardwick · Applied Optics (2025) | TGRS Research Map | TGRS