An algorithmic event: The celebration and critique of Spotify Wrapped

As the year draws to a close, the marketing campaign ‘Spotify Wrapped’ invites users to share their personalised data story on social media. We draw on empirical insights from five creative workshops to examine how university students perceive and respond to the logics of this ‘algorithmic event’ and assertion of identity through ‘wrappification’. Our analysis identifies four themes: the resonance of Wrapped, limits of the Wrapped self, ambience of music and contestations of Spotify’s governance. These themes reflect the multifaceted emotions evoked in users, ranging from celebration of personalisation to critique of data capture. They also demonstrate contradictory views of classification systems. While our participants are deeply attuned to the algorithmic and commercial forces of streaming, their engagement with music often transcends the platform’s affordances. By examining these negotiated practices during an algorithmic event, our study extends debates on the platformisation of culture, especially regarding music’s aesthetic and functional values.

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Publication Details

Journal
New Media & Society
Published
2025-11-24
DOI
https://doi.org/10.1177/14614448251391301
Citations
1
Primary Topic
Ethics and Social Impacts of AI
Type
article
Field-Weighted Citation Impact
2.37
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article

An algorithmic event: The celebration and critique of Spotify Wrapped

Taylor Annabell, Nina Vindum Rasmussen
1 citations
New Media & Society
Ethics and Social Impacts of AI
2.37
article

An algorithmic event: The celebration and critique of Spotify Wrapped

Taylor Annabell, Nina Vindum Rasmussen
article en
1 citations

Abstract

As the year draws to a close, the marketing campaign ‘Spotify Wrapped’ invites users to share their personalised data story on social media. We draw on empirical insights from five creative workshops to examine how university students perceive and respond to the logics of this ‘algorithmic event’ and assertion of identity through ‘wrappification’. Our analysis identifies four themes: the resonance of Wrapped, limits of the Wrapped self, ambience of music and contestations of Spotify’s governance. These themes reflect the multifaceted emotions evoked in users, ranging from celebration of personalisation to critique of data capture. They also demonstrate contradictory views of classification systems. While our participants are deeply attuned to the algorithmic and commercial forces of streaming, their engagement with music often transcends the platform’s affordances. By examining these negotiated practices during an algorithmic event, our study extends debates on the platformisation of culture, especially regarding music’s aesthetic and functional values.

New Media & Society
Utrecht University (NL), London School of Economics and Political Science (GB)
Openalex Percentile: Top 8%
Ethics and Social Impacts of AI
2.37
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