AI and institutional transformation: care, access and learning at Tate Britain

This article examines Electronic Life, a collaborative programme at Tate Britain that explored artificial intelligence (AI) as a tool for institutional reflection, participatory learning, and creative experimentation. The project positioned AI technologies not as neutral tools but as collaborators in collective learning, co-creation, and institutional inquiry. Developed in response to Tate Britain’s 2023 rehang, the programme engaged marginalised youth and community groups in both dialogues and hands-on experience with AI, foregrounding questions of voice, representation, and institutional authority. Drawing on practice-led reflection and research interviews – including a conversation with Ruchika Gurung (Curator of Community & Partnerships, Tate Britain) – the article contextualises and examines how AI can function as an active participant within what is termed social AI practice, disrupting hierarchies, amplifying marginalised voices, and enabling creative, reflexive practice. Situated within Tate’s wider commitment to social engagement, the article offers a critical framework for participatory AI in museums, highlighting how care-centred approaches to technology can reshape learning, authorship, and community relationships in cultural institutions.

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Publication Details

Journal
Journal of Visual Art Practice
Published
2025-10-02
DOI
https://doi.org/10.1080/14702029.2025.2578555
Citations
1
Primary Topic
Museums and Cultural Heritage
Type
article
Field-Weighted Citation Impact
15.79
Controls
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article

AI and institutional transformation: care, access and learning at Tate Britain

Robert E. D’Souza
1 citations
Journal of Visual Art Practice
Museums and Cultural Heritage
15.79
article

AI and institutional transformation: care, access and learning at Tate Britain

Robert E. D’Souza
article en
1 citations

Abstract

This article examines Electronic Life, a collaborative programme at Tate Britain that explored artificial intelligence (AI) as a tool for institutional reflection, participatory learning, and creative experimentation. The project positioned AI technologies not as neutral tools but as collaborators in collective learning, co-creation, and institutional inquiry. Developed in response to Tate Britain’s 2023 rehang, the programme engaged marginalised youth and community groups in both dialogues and hands-on experience with AI, foregrounding questions of voice, representation, and institutional authority. Drawing on practice-led reflection and research interviews – including a conversation with Ruchika Gurung (Curator of Community & Partnerships, Tate Britain) – the article contextualises and examines how AI can function as an active participant within what is termed social AI practice, disrupting hierarchies, amplifying marginalised voices, and enabling creative, reflexive practice. Situated within Tate’s wider commitment to social engagement, the article offers a critical framework for participatory AI in museums, highlighting how care-centred approaches to technology can reshape learning, authorship, and community relationships in cultural institutions.

Journal of Visual Art PracticeVol. 24(4)
University of Winchester (GB), University of Southampton (GB)
Openalex Percentile: Top 1%
Museums and Cultural Heritage
15.79
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