Performing Masculinities: Hindu Reform, Ascetic Celibacy, and Dalit Manhood in Colonial North India

This article examines the construction of masculinity in early twentieth-century North India through Hindi vernacular print. Focusing on three key narratives—upper-caste Hindu masculinity in the shuddhi and sangathan movements, ascetic celibacy in the writings of Satyadev Parivrajak and representations of Dalit manhood—it explores how masculinity became a site of power, hierarchy and resistance. While dominant Hindu masculinities reinforced caste and gender norms, Dalit men redefined manhood as a mode of assertion and dignity. The study highlights masculinity’s dual role as both a hegemonic tool and a medium for subaltern dissent and egalitarian aspirations.

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Publication Details

Journal
Studies in People’s History
Published
2025-11-24
DOI
https://doi.org/10.1177/23484489251381616
Primary Topic
South Asian Cinema and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Performing Masculinities: Hindu Reform, Ascetic Celibacy, and Dalit Manhood in Colonial North India

Charu Gupta
Studies in People’s History
South Asian Cinema and Culture
article

Performing Masculinities: Hindu Reform, Ascetic Celibacy, and Dalit Manhood in Colonial North India

Charu Gupta
article en

Abstract

This article examines the construction of masculinity in early twentieth-century North India through Hindi vernacular print. Focusing on three key narratives—upper-caste Hindu masculinity in the shuddhi and sangathan movements, ascetic celibacy in the writings of Satyadev Parivrajak and representations of Dalit manhood—it explores how masculinity became a site of power, hierarchy and resistance. While dominant Hindu masculinities reinforced caste and gender norms, Dalit men redefined manhood as a mode of assertion and dignity. The study highlights masculinity’s dual role as both a hegemonic tool and a medium for subaltern dissent and egalitarian aspirations.

Studies in People’s HistoryVol. 12(2)
University of Delhi (IN)
Openalex Percentile: Top 67%
South Asian Cinema and Culture
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