The Self-Curating Musician: An Innovative Concept and an Intensive Learning Experience by Systemic Design Thinking

Self-curation is an emerging notion in the artistic practice that we propose as an alternative to the questioned notion of entrepreneurship in the realm of classical music. Systemic Design Thinking (SDT) methods helped conceptualize self-curation and develop an intensive, week-long learning experience. Participants validated the self-curation concept and its five components: activating creativity, seeking uniqueness, developing a discourse, understanding the performance practice and engaging communities. Our study further highlights that rather than suffering from a tension between arts and commerce, young (performing) musicians experience a tension between the expectation of the outside world that they need to be exceptional as an artist, and the inner desire of being a typical worker with regular working conditions and ‘normal lives’. The awareness that someone can manifest the creativity that someone already possesses and that someone belongs to an artistic community alleviates the pressure experienced in the transition from education to work. We develop insights into multifaceted and challenging self-curation careers.

Authors

Publication Details

Journal
Journal of Arts Entrepreneurship Education
Published
2025-10-11
DOI
https://doi.org/10.46776/2693-7271.1036
Primary Topic
Creativity in Education and Neuroscience
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

The Self-Curating Musician: An Innovative Concept and an Intensive Learning Experience by Systemic Design Thinking

Ellen Loots, Saskia Westerduin, Joris Blanckaert, Pawan V. Bhansing
Journal of Arts Entrepreneurship Education
Creativity in Education and Neuroscience
article

The Self-Curating Musician: An Innovative Concept and an Intensive Learning Experience by Systemic Design Thinking

Ellen Loots, Saskia Westerduin, Joris Blanckaert, Pawan V. Bhansing
article en

Abstract

Self-curation is an emerging notion in the artistic practice that we propose as an alternative to the questioned notion of entrepreneurship in the realm of classical music. Systemic Design Thinking (SDT) methods helped conceptualize self-curation and develop an intensive, week-long learning experience. Participants validated the self-curation concept and its five components: activating creativity, seeking uniqueness, developing a discourse, understanding the performance practice and engaging communities. Our study further highlights that rather than suffering from a tension between arts and commerce, young (performing) musicians experience a tension between the expectation of the outside world that they need to be exceptional as an artist, and the inner desire of being a typical worker with regular working conditions and ‘normal lives’. The awareness that someone can manifest the creativity that someone already possesses and that someone belongs to an artistic community alleviates the pressure experienced in the transition from education to work. We develop insights into multifaceted and challenging self-curation careers.

Journal of Arts Entrepreneurship EducationVol. 4(1)
Openalex Percentile: Top 62%
Creativity in Education and Neuroscience
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.